Royal Ballet: Scarlett's Symphonic Dances

Por Sanjoy Roy, 21 mayo 2017

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“If the first half was all surface bravura, the second moved into more suggestive emotional territory”

Crítica hecha desde Royal Opera House, Covent Garden, Londres el 18 mayo 2017

The Vertiginous Thrill of Exactitude (William Forsythe)

Tarantella (George Balanchine)

Strapless (Christopher Wheeldon)

Symphonic Dances (Liam Scarlett)

The Royal Ballet

Orchestra of the Royal Opera House Covent Garden

Zenaida Yanovsky, Bailarín

Beatriz Stix-Brunell, Bailarín

Akane Takada, Bailarín

Marianela Núñez, Bailarín

Vadim Muntagirov, Bailarín

Steven McRae, Bailarín

Marcelino Sambé, Bailarín

Francesca Hayward, Bailarín

Natalia Osipova, Bailarín

Federico Bonelli, Bailarín

Edward Watson, Bailarín

Matthew Ball, Bailarín

La CND da un salto cuántico con Forsythe

Eduardo López-Collazo, 30th April

Sólo una duda se respira con el encendido final de la luz... ¿Qué será lo próximo?

*****

Trois Forsythe inégaux par le Ballet de l'Opéra national du Rhin

Julie Jozwiak, 26th April

Si Trio et Quintett suscitent quelques interrogations, Enemy in the Figure est le clou de la soirée – mais il manque dans l'interprétation cette déflagration esthétique typique de Forsythe.

***11

Turn It Out with Tiler Peck & Friends: bubbling over with passion

Amanda Jennings, 12th March

Last seen in London in 2023, Turn It Out with Tiler Peck & Friends made a hugely welcome return with the same programme, differently ordered.

****1

Stylish and stirring: Turn It Out With Tiler Peck & Friends

Carla Escoda, 16th October

Much acclaimed in 2022, a mixed bill curated by Tiler Peck returns to New York City Center with new cast members.

****1

Foreseeable Future is aimless movement to aimless music at NYCB

Ivy Lin, 9th October

Some excellent individual performances but a disappointing program for Contemporary Choreography I with New York City Ballet.

**111

The Australian Ballet in Melbourne: three prismatic worlds

Ruth Ridgway, 4th October

In its triple bill Prism, The Australian Ballet gives the audience three different dance and sound worlds as well as showcasing fleet, athletic and precise dancing.

****1

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Sanjoy Roy

Sanjoy Roy has written on dance for the Guardian since 2002. He is the London correspondent for Dance International magazine, and has contributed to many other publications including the New Statesman, Dance Gazette and Dancing Times. He has given writing workshops for Dance Umbrella and The Place Theatre (London), and for the pan-European Aerowaves Spring Forward festival. He has been a jury member for several choreography competitions – The Place Prize (London), ECDA (Chennai), Premio Equilibrio (Rome) – and was formerly the editor and designer at Dance Books Ltd. He keeps an online archive of his work at sanjoyroy.net.

The Royal Ballet: Liam Scarlett’s new Symphonic Dances, plus a trio of revivals