Music triumphs over tragedy: Marston’s moving The Cellist

Lauren Cuthbertson and Marcelino Sambé in The Cellist

Marcelino Sambé, Matthew Ball and Lauren Cuthbertson in The Cellist

Lauren Cuthbertson and Marcelino Sambé in The Cellist

Marianela Núñez and Alexander Campbell in Dances at a Gathering

Por Sarah Kirkup, 19 febrero 2020

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“the cello doesn’t just choose du Pré, it fixates on her and doesn’t let her go”

Crítica hecha desde Royal Opera House, Covent Garden, Londres el 17 febrero 2020

The Cellist (Cathy Marston)

Dances at a Gathering (Jerome Robbins)

The Royal Ballet

Andrea Molino, Dirección

Hildegard Bechtler, Diseño de escena

Bregje van Balen, Diseño de vestuario

Orchestra of the Royal Opera House Covent Garden

Lauren Cuthbertson, Bailarín

Matthew Ball, Bailarín

Marcelino Sambé, Bailarín

Hetty Snell, Violonchelo

Marianela Núñez, Bailarín

Francesca Hayward, Bailarín

Yasmine Naghdi, Bailarín

Fumi Kaneko, Bailarín

Laura Morera, Bailarín

Alexander Campbell, Bailarín

William Bracewell, Bailarín

Federico Bonelli, Bailarín

Valentino Zucchetti, Bailarín

Luca Acri, Bailarín

Robert Clark, Piano

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A revival of Cathy Marston’s Jane Eyre marks another success in Northern Ballet’s strong tradition of narrative dance theatre.

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The first revival and first pairing of two award-winning choreographies proves to be a very rewarding double bill.

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Cathy Marston’s My Brilliant Career premieres in Brisbane within a diverse triple bill that shows off Queensland Ballet's versatility.

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Cathy Marston is a choreographer who excels in narrative ballets but seldom in a literal sense.

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Sarah Kirkup

Sarah Kirkup has been Deputy Editor of Gramophone since 2010. She also writes for publications including the Royal Opera House’s in-house magazine and programmes for The Royal Ballet, and reviews dance events for cross-arts online magazine The Cusp. She is particularly interested in the relationship between music and dance, and has spoken on this subject at panel discussions, talks and events.

Music triumphs over tragedy: Marston’s moving The Cellist premiered by The Royal Ballet