The Royal Ballet's The Limit: an arresting experience

Francesca Hayward and Alexander Campbell in Kristen McNally's The Limit

Alexander Campbell and Francesca Hayward in Kristin McNally's The Limit

Francesca Hayward and Alexander Campbell in Kristen McNally's The Limit

Por Graham Watts, 25 octubre 2023

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“the choreography becomes more frenetic, punctuated by passionate reconciliations”

Crítica hecha desde Royal Opera House: Linbury Theatre, Londres el 23 octubre 2023

The Limit (Kristen McNally)

The Royal Ballet

Anisha Fields, Diseño de escena, Diseño de vestuario

Lee Curran, Diseño de iluminación

Francesca Hayward, Bailarín

Alexander Campbell, Bailarín

Hannah Rudd, Bailarín

Jacob Wye, Bailarín

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Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.