En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Matthew Ball

The Royal Ballet’s season opener, Christopher Wheeldon’s Like Water for Chocolate, is visually tremendous, very well danced but the many principal and soloist characters are difficult to keep up with.

Paul Roberts' Quadrophenia – A Mod Ballet offers very memorable performances from its leading protagonists in a compelling piece of dance theatre.

A showcase presenting the rich diversity of Christopher Wheeldon’s choreography should become a staple in The Royal Ballet's calendar.

Ballet Nights returns to Cadogan Hall in its latest incarnation with plenty of excitement and surprises.

Ballet Icons Gala 2025 was the 19th since its inception. One can only applaud the dedication of Olga Balakleets, Founder and Artistic Director, for bringing many of the world’s most eminent dancers.

Overall, Light of Passage is one of those glorious pieces where music, choreography and design meld together to make theatrical magic.

The junior English and Norwegian companies brought contrasting works, showcasing a great abundance of young talent.

International Draft Works gives opportunities for Londoners to see companies and choreographers that they might otherwise not see in the UK.

An emotional rollercoaster showcasing the choreographic genius of Sir Kenneth MacMillan.

A long list of stars and young hopefuls from every corner of the globe came together to support Ukraine in the second fund-raising gala of its kind.

Thomas Adès' score does most of the storytelling in this epic production, though the dancing is superlative.

The first revival and first pairing of two award-winning choreographies proves to be a very rewarding double bill. 

Their artistry was something that is rarely seen and is a great gift to us all.

Sir Peter Wright’s classic Royal Ballet production returns for another festive run to enchant the young – and not so young – at Covent Garden. 

The 47th Nijinsky Gala in Hamburg celebrates the art of dance, the creativity of great choreographers and a totally committed company, while not forgetting what is happening not so far from our theatres.

Laura Esquivel’s extraordinary novel of recipes, romances and home remedies brought to life in Christopher Wheeldon and Joby Talbot's new creation. 

A richly varied trio of works celebrate The Royal Ballet's former director, performed with sincerity and panache. 

Kyle Abraham's The Weathering doesn't feel particularly fresh on its premiere, but Crystal Pite's Solo Echo and Christopher Wheeldon's Danse à Grande Vitesse pep up the first triple bill of the season at Covent Garden. 

Francesca Hayward is a captivating Juliet as Sir Kenneth MacMillan's hardy perennial is back for another long run at the Royal Opera House. 

Ivan Putrov, who has enjoyed a long career based in London, brings dancers from his homeland for a special London gala. 

An event that will be long-remembered for the importance of the occasion, if not for its content. 

In her first work for the Covent Garden main stage, based on the life of Jacqueline du Pré, choreographer Cathy Marston explores the profound bond between musician and instrument.

John Cranko's balletic take on Pushkin approaches its 100th performance by The Royal Ballet, opening this run with a magnificent Tatiana from the Russian star. 

On the evidence of this performance, there is every reason to be cheerful.

A memorable and important event in the history of British ballet, sensitively and sentimentally performed. 

The Firebird/A Month in the Country/Symphony in C is an effective and enjoyable programme to close The Royal Ballet's season.

A mixed bill of modern work showcases the diverse talents of The Royal Ballet.

A well-curated gala with gravitas; showcasing several works and dancers rarely, if ever, seen in London.

As MacMillan's masterpiece nears its 500th performance by The Royal Ballet, a fresh run of performances opens with a new pairing in the lead roles. 

Bourne's radical reworking of Swan Lake returns to Sadler's Wells, 23 years after its premiere. 

A random assortment of disassociated ballets performed with variable success - from the sublime to the nondescript. 

Yet another revival of MacMillan's signature ballet.  Enlivened by tremendous performances, not least in the title role, and still a classic. But, how long will that pertain?   

A strongly cast revival of The Winter's Tale by The Royal Ballet confirms one of Shakespeare's "problem plays" as perhaps being best suited to dance. 

Outstanding examples of men dancing are book-ended by two new works that are badly misjudged as a means of entertainment 

Virtuosity commanded the stage in the first half, drama and mood in the second, with Liam Scarlett’s new ballet a fitting tribute to the retiring Zenaida Yanowsky

The Royal Ballet premieres Christopher Wheeldon's Strapless, and performs two other ballets by the choreographer for the first time.

Praise goes to Wayne McGregor, Alessandra Ferri and the Royal Ballet for their bold, modern and innovative treatment of Virginia Woolf's legacy.