Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Salome Jicia

Michele Mariotti triumphs in Rossini’s masterpiece with a good cast led by Salome Jicia and a new production, only partially successful.

Everyone is in the know in Jan Philipp Gloger's “School for Lovers”, receiving its first revival at Covent Garden. 

Svoboda’s mirrors continue to provoke interesting considerations. Titled above the stage, they project a birds-eye-view of the action to the audience, making voyeurs of us all.

At its 2015 inauguration at the Royal Opera House, a controversial rape scene in Act 3 drew outrage from the audience and critics alike. Now the Teatro Massimo is presenting the production once again.

Mario Martone's 2006 production captures both the aesthetic and the spirit of the age.

A strange evening: superb Mozart playing from Rousset, plenty of fine singing, staging and costumes that one certainly isn’t going to forget. But what’s the point of it all?