En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Alec Knight

NYCB's triple bill that harks back to the 1950s proves a love letter to an America that never was.

Some great and some lacklustre performances in the Jerome Robbins triple bill on opening night of New York City Ballet's winter season – and a missed opportunity.   

The final performance at NYCB’s fall season was the best one. One has to have just pure admiration for this company, its dancers, its history, its future.

The fall season opens with three Balanchine ballets and what felt like a gesture of thanks to a trio of ballerinas for their many years of service to the company.

George Balanchine's ballet brings joy to audiences year in, year out. 

Balanchine’s Nutcracker may have premiered in 1954, but every year tickets sell out for this festive treat. 

Yet the audience loved it, just as they love every performance of A Midsummer's Night DreamI've ever attended. This ballet is a tribute to Shakespeare, a tribute to love, a tribute to dance. One walks out feeling as if one's "soul is in the sky."

Tiler Peck is at her peak as an artist and let’s hope it lasts a long time.