En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Roberta Alexander

La magnífica producción de Elektra creada por Patrice Cheréau llega al Liceu bajo la dirección musical de Josep Pons, que al frente de la orquesta del teatro y junto a las voces de Herlitzius, Pieczonka y Meier recrean con gran éxito una de las parituras más bellas del s. XX.

Short of the three lead stars of its opening, The Royal Opera's La forza del destino remains a thrilling evening, powered by Christof Loy's interesting staging and virile singing from Christopher Maltman.

The hottest opera ticket in London this season sees Jonas Kaufmann and Anna Netrebko reunited on the Royal Opera House's stage for the first time since 2008. It was worth the wait. 

Ricarda Merbeth gibt eine markerschütternde Elektra in Patrice Chéreaus psychologischer Inszenierung.

An able cast sings in Christof Loy’s non-interventionist and insightful production of Verdi’s panoramic tragedy, conducted with vivid detail by Michele Mariotti.

Evelyn Herlitzius and Adrianne Pieczonka are unsinkable in the the French director's final production, conducted with impressive symphonic sweep by Daniel Barenboim. 

The late director Patrice Chéreau's last work, Elektra, was brilliantly realized at the Met, with special credit to conductor Esa-Pekka Salonen and soprano Nina Stemme.

At the Amsterdam Concertgebouw, the Orchestra of the 18th Century conducted by Kenneth Montgomery gave a lively and expressive performance of Mozart’s Nozze, that emphasized the witty charm of the piece. Soloist included Henk Neven’s aristocratic Count and Ilse Eerens’ delightful Susanna.