En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Jonathan Michie

David Pountneys Meistersinger enttäuschen mit einer an Geschichtsverständnis mangelnden und trägen Inszenierung, die aber immerhin stimmliche Glanzmomente liefert.

With an excellent cast and sumptuous orchestral playing, Oper Leipzig delivers a vivid evening of enjoyment.

An enchanting production, imaginative, amusing and suitable for children of all ages.

À l'Opéra de Leipzig, décors, lumières, costumes et orchestre prodigieux du Gewandhaus ont constitué un superbe écrin, enveloppant solistes et chœurs d'une Carmen très applaudie.

An outstanding cast and Anthony Pilavachi's excellent production make a compelling case for Cinq-Mars at Oper Leipzig.

Christian von Götz's production doesn't all work, but he makes a viable, thought-provoking and entertaining show out of Weber's spooky classic.

For an inventive production, fine singing and magnificent orchestral playing, this new Leipzig Die Frau ohne Schatten deserves every success.

After the success of Benjamin Britten’s opera The Rape of Lucretia, Britten and director/librettist Eric Crozier discussed future operatic projects. The composer wanted his next opera to be a comedy and insisted that it be set in England. When Crozier suggested adapting Guy de Maupassant’s La Rosier de Madame Husson, Britten knew he was on to something good. Indeed, it was an ideal choice.