Verve and commitment from new Freischütz

Por Hugo Shirley, 06 marzo 2017

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“a gnarled mass of skulls and undergrowth which appears in a sea of dry ice”

Crítica hecha desde Oper Leipzig, Leipzig el 4 marzo 2017

Weber, Der Freischütz

Oper Leipzig

Christoph Gedschold, Dirección

Christian von Götz, Dirección de escena

Dieter Richter, Diseño de escena

Jessica Karge, Diseño de vestuario

Gal James, Agathe

Magdalena Hinterdobler, Ännchen

Thomas Mohr, Max

Tuomas Pursio, Kaspar

Patrick Vogel, Kilian

Jonathan Michie, Ottokar

Jürgen Kurth, Kuno

Runi Brattaberg, A Hermit

Verena Hierholzer, Samiel

Opernchor Leipzig

Gewandhausorchester Leipzig

Lady Macbeth of Mtsensk at Oper Leipzig

Mark Pullinger, 25th May

Two notable debuts dominate Oper Leipzig's notable Lady Macbeth revival: Kristine Opolais as Katerina and Andris Nelsons in the pit.

****1

Spellbinding Parsifal caps Oper Leipzig's massive Wagner 22 Festival

Ako Imamura, 14th July

Ulf Schirmer bows out as General Music Director as the last of Wagner's 13 operas completes a successful Festival Wagner 22 in Leipzig.

****1

Ein Wiener auf der Wartburg: Andreas Schager als Leipziger Tannhäuser

Michael Vieth, 26th June

Calixto Bieitos eigenwillige Sichtweise rundete sich mit Ulf Schirmers Dirigat zu einem Epos zwischen Melancholie und Apokalypse.

****1

Lohengrin as chamber opera in Patrick Bialdyga's Leipzig production

Ako Imamura, 26th March

A new production of Lohengrin at Oper Leipzig is conceived as an intimate chamber opera and succeeds with brilliant musical performances.

*****

Deutsche Geschichte für Reingefallene: neue Meistersinger in Leipzig

Alexandra Richter, 23rd October

David Pountneys Meistersinger enttäuschen mit einer an Geschichtsverständnis mangelnden und trägen Inszenierung, die aber immerhin stimmliche Glanzmomente liefert.

**111

An electrifying Carmen from Oper Leipzig

Gregor Forbes, 23rd November

With an excellent cast and sumptuous orchestral playing, Oper Leipzig delivers a vivid evening of enjoyment.

****1

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Hugo Shirley

Hugo Shirley is a Berlin-based writer and musicologist. He has written widely as a critic in the UK, including for The Spectator, the Financial Times and Daily Telegraph, and has held editorial posts at both Opera and Gramophone. He was editor of 30-Second Opera (Ivy Press, 2015) and has a PhD in musicology from King's College London, where his thesis focused on Strauss and Hofmannsthal’s Die Frau ohne Schatten.

Verve and commitment from Oper Leipzig's new Freischütz