En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Akiko Suwanai

La Sinfónica de Tenerife comienza su temporada de manera brillante con un precioso programa solo de Mozart interpretado con exquisitez y detallismo bajo la batuta del director invitado Andrea Marcon.

A remarkable performance of Tchaikovsky’s Violin Concerto with the Hallé and conductor Kahchun Wong at the Bridgewater Hall. 

Conducted by Fabio Luisi, Japan's premier orchestra serves up a superb blend of Eastern and Western music and influences. 

A collaborative performance of Mozart's Sonata for two pianos was not broadcast, but Pires stanched any disappoint by offering refined interpretations of Schubert.

Martha Argerich gives a rare solo performance in the final programme of her festival, performing movements from Tchaikovsky's The Seasons for the very first time. 

The Martha Argerich Festival minus Martha Argerich on this occasion, but ending with a Russian pièce de résistance.  

Akiko Suwanai's perfect conception of Mozart, and a smiling Brahms Second from the Singapore Symphony and Mario Venzago.

Une vertigineuse Symphonie n° 7 de Chostakovitch célèbre le retour de l'ex-directeur musical de l'Orchestre de Paris à la Philharmonie.

La musique de Stravinsky aurait pu être la ligne directrice de cette soirée, qui débutait avec Agon et se terminait par le Sacre du Printemps (version Pina Bausch). Mais Grand Miroir, la nouvelle création de Saburo Teshigawara, suspend le fil musical de Stravinsky par une parenthèse plus méditative : le Violin Concerto composé et dirigé par Esa-Pekka Salonen.

The Bamberg Symphony and Akiko Suwanai's delivery of arguably one of the most challenging and beautiful violin masterpieces was simply ecstatic. 

Shostakovich's Eighth dominated another memorable City of Birmingham Symphony Orchestra programme. 

This concert, in a nifty piece of skilful programming, comprised a Beethoven sandwich, with Penderecki’s Fourth Symphony as the filling, both composers who clearly enjoy pushing the boundaries of classical form.