En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Alexander Shelley

El concierto de la Orquesta Sinfónica de Tenerife titulado “ Bartók y el violín” presentó a la violinista holandesa Simone Lamsma y al director británico Alexander Shelley en un programa con obras de Stravinsky, Bartók y Ravel.

Alexander Shelley tackles Schumann’s sprawling Das Paradies und die Peri with conviction, shaping real momentum and drama, even if balance issues and Thomas Moore’s cloying libretto sometimes distract.

Shelley led an unusual mix of English music by Walton, Coleridge-Taylor and Delius, with a poignant addition of two small works by the young Lili Boulanger.

The National Arts Centre Orchestra and Joshua Hopkins bring Jake Heggie and Margaret Atwood’s Songs for Murdered Sisters to Roy Thomson Hall, intriguingly partnered with two works from the high Romantic.

Ahead of Valentine's Day, the Orchestre symphonique de Montréal presented a concert centered on “symphonic love”.

Alexander Shelley conducts a contemplative programme featuring Strauss' Four Last Songs and Death and Transfiguration. 

Shelley and the RPO make sense of Shostakovich with lush Glazunov, tight Borodin and dazzling Prokofiev with Kian Soltani.

Alexander Shelley conducts a folksong-infused programme of Kodály and Bartók, with Mariam Batsashvili performing Liszt. 

Continuing its interesting series “Myths and Fairytales”, the Royal Philharmonic gave colourful interpretations of the Hänsel und Gretel overture and Peer Gynt.

Alexander Shelley curated a hot-blooded programme of adventure and imagery with the Royal Philharmonic Orchestra, with Susanne Hou showing extraordinary technique and class in Tchaikovsky’s Violin Concerto.

Alexander Shelley and the Royal Philharmonic Orchestra mixed simplicity with demonic shenanigans in two Prokofiev symphonies, while Chloë Hanslip dug deep in an impassioned Sibelius Violin Concerto.

Mit einem Solokonzert der ungewöhnlichen Art fesselten die Nürnberger Symphoniker und Andreas Martin Hofmeier in der heimatlichen Meistersängerhalle ihr Publikum.

An engaging soloist, passionate conductor and fantastic orchestral playing made light work of a slightly lop-sided and overlong concert. 

Einen Abend ganz im Zeichen Russlands gestalteten die Göteborger Symphoniker unter der Leitung des englischen Dirigenten Alexander Shelley.

Soloist Barnabas Kelemen impresses in Szymanowski's Violin Concerto no. 2, while conductor Alexander Shelley impresses with a chirpy Classical Symphony and a brooding Walton First Symphony.

A gleeful production of The Marriage of Figaro from Opera North, which makes it hard to imagine any dark side at all to the comedy. 

This was a concert that provided the opportunity for so many individual musicians to shine and the Bournemouth Symphony Orchestra’s shone brightly, showcasing its truly amazing talent.