En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Constance Hoffman

John Adams’ Antony and Cleopatra puts the composer's propulsive music at the service of both moments of riveting human drama and less effective scenes of battle and politics. 

 Michael Cavanagh's sleek new production, designed by Erhard Rom and conducted by James Conlon, transforms the 18th-century opera into a Broadway musical, score by Mozart.

Terfel's performance as the legendary sailor is stronger than ever and, one or two issues aside, this revival of Tim Albery's production is a compelling account of Wagner's first mature work. 

In New York's Park Avenue Armory, Claus Guth imagines Schubert's final song collection set in a military hospital, Jonas Kaufmann as one of its soldiers with a story to tell. 

Great vocal performances from Amina Edris and Gerald Finley grace John Adams' new opera, which opens San Francisco Opera’s centennial season.

The team of soloists, the chorus and the orchestra, under the baton of Philippe Auguin, powerfully conveyed the spectacular qualities of Verdi's Don Carlo.

The Lyric Opera’s new production of Rigoletto evokes visually the contours and high-contrast relief of a surrealist painting. 

Rimsky-Korsakov’s opera is rarely performed outside Russia. Sadly, I doubt that Daniel Kramer’s staging for Opera Vlaanderen will win it many new friends.

If you love Verdi's inventive music, enjoy fabulous male voices in particular, and appreciate great opera conducting with exquisitely sensitive orchestral playing – then this Rigoletto is a must.

Meyerbeer's little performed work is given an enthusiastic rendering, with star singing from a big cast led by Flórez, Ciofi and Jerkunica. David Alden's quality Personenregie makes up for some unconvincing setting choices.

It is the fusion of textures and styles coming from the pit that gives Bel Canto a memorable musical profile.

Some very fine singing and beautiful, if sometimes confusing, visual effects in Opera Philadelphia's Don Carlo.  

A dark and minimalist staging doesn't quite fire Wagner's Flying Dutchman into life at the Royal Opera House, despite worthy performances from Bryn Terfel, Adrianne Pieczonka and others under the direction of Andris Nelsons.