En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Leon Košavić

Una noche de música, risas, champán y, sobre todo, excelente interpretación a cargo de Marc Minkowski y Les Musciens du Louvre.

Herheim’s Fledermaus is a risky experiment that, miraculously, works – at least in a city that knows it so intimately.

Cent ans après le décès de Giacomo Puccini à Bruxelles, la maison belge propose une nouvelle production de son ultime ouvrage inachevé, dans une intéressante mise en scène de Christophe Coppens.

Martin G Berger exhaustively reworks the story and the libretto of Salieri's Cublai, gran kan de' Tartari and throws the kitchen sink at this new production, but not everything lands well. 

Marie-Eve Signeyrole inszeniert am MTadW erneut ein Stück mit starkem Fokus auf cineastische Elemente und sorgt damit für wenig Überraschung.

Marc Minkowski dirige d'une main de maître l'opérette de Strauss, dans une version mise en espace parfois frustrante mais portée par une distribution idéale.

Kasper Holten's psychological take on the louche lothario remains controversial, but in its third revival, Erwin Schrott's powerful assumption of the title role is a delight.

Peter Konwitschny's production strips away much of the religious symbolism, presenting the difference between Jews and Christians as little more than the dyed colour of their hands. 

It is unlikely that anyone went home from this soul-inspiring performance without that famous "Ode" ringing in his or her head.

Two contraltos in one room is a high concentration of contraltos; except that one of them appeared in the role of conductor.

Reflections on mortality provided by the French contralto Nathalie Stutzmann conducting the London Philharmonic Orchestra and Choir in two works by Richard Strauss and Mozart.