Spectacular Strauss from the RTÉ NSO

Por Pia Maltri, 04 diciembre 2017

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“It was impossible not to be moved by Strauss' roller coaster of emotions”

Crítica hecha desde National Concert Hall: Main Stage, Dublin el 1 diciembre 2017

Strauss R., Muerte y transfiguración, Op.24

Mozart, Réquiem en re menor, K626

Máire Flavin, Soprano

Sara Mingardo, Mezzosoprano

Robin Tritschler, Tenor

Leon Košavić, Barítono

RTÉ Philharmonic Choir

National Symphony Orchestra Ireland

Nathalie Stutzmann, Dirección

Martín y la NSO ofrecen un Shostakovich audaz y emocionante

Andrew Larkin, 12th April

Pablo Ferrández encandila en las Variaciones rococó de Chaikovski y el director Jaime Martín ofrece una convincente y rítmica versión de la Décima sinfonía de Shostakovich.

****1

Chopin and Franck reframed with elegance and insight in Dublin

Andrew Larkin, 20th March

In Dublin, Jean-Luc Tingaud and Louis Lortie bring clarity and purpose to two composers often ill at ease with the orchestra.

****1

Paradise Deferred: Shelley takes on Schumann’s Paradies und die Peri

Andrew Larkin, 13th February

Alexander Shelley tackles Schumann’s sprawling Das Paradies und die Peri with conviction, shaping real momentum and drama, even if balance issues and Thomas Moore’s cloying libretto sometimes distract.

***11

Sułkowska-Migoń’s Dublin programme crowned by a white-hot Scheherazade

Andrew Larkin, 16th January

Works by Boulanger and Shostakovich pay off handsomely before Rimsky-Korsakov’s Scheherazade, shaped with dynamic control and visceral energy, crowns a vividly played concert.

****1

Michelle Cann brings out the soul in Price’s Piano Concerto in Dublin

Michael Roddy, 12th December

Florence Price’s concerto brings the Dublin audience to its feet at the National Symphony Orchestra Ireland’s latest concert.

****1

Anja Bihlmaier conducts a powerful NSO programme in Dublin

Andrew Larkin, 5th December

Scintillating Mozart meets soul-searching Bruckner as Anja Bihlmaier and the NSOI deliver a programme of vivid contrasts and compelling musical storytelling.

****1

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Pia Maltri

Pia first fell head over heels for opera when she was a teenager by listening to recordings of some of the great voices of the past: Maria Callas, Giuseppe Di Stefano, Mirella Freni, Alfredo Kraus. She holds a degree in Italian Literature and she lives in Rome.

Spectacular Strauss from Nathalie Stutzmann and the RTÉ NSO