En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Marcello Giordani

Stefano Mazzonis di Pralafera's staging for Opéra Royal de Wallonie-Liège is stolid in direction, but Speranza Scappucci breathes life into Verdi's drama from the pit. 

Quality singing impresses in Puccini's opera at the Hungarian State Opera, despite a dusty staging.

Too many paparazzi and not enough Puccini in Robert Carsen’s Manon Lescaut in Vienna.

Catherine Naglestad und Elena Zhidkova brillieren in den weiblichen Hauptrollen von Hector Berlioz' *Les Troyens* neben dem bestens aufgelegten Philharmonischen Staatsorchester Hamburg und seinem Generalmusikdirektor Kent Nagano.

Staatsoper Berlin revives its new production of Tosca with an excellent cast including a last minute substitution of the tenor.

Verdi’s Aida has been performed over 1,000 times at the Metropolitan Opera, making it the most commonly revived work after Puccini’s La bohème. Because Aida is so regularly programmed, I usually walk rather than run to see this opera.

Read our review of Franco Zeffirelli's production of Puccini's Turandot in its 2009 broadcast from the Met Opera in New York.

​In each case, you know the murder is coming. In each case the music is explosive and closes the opera: there is nothing left to say except Canio's simple words: "La commedia è finita.

Read our review of Pier Luigi Samaritani's production of Verdi's Ernani in its 2012 broadcast from the Met Opera in New York.

In our youth, my brother and I adored Cecil B. DeMille’s epic film The Ten Commandments. Not only did we like the well-written and brilliant take on the beloved biblical story of Moses, but we were also fascinated by the lavish sets and historical aspects of the film.

“There was love all around / But I never heard it singing / No, I never heard it at all / Till there was you!” I vividly recall when I first heard Shirley Jones sing these touching, heartfelt lines on the beloved motion picture version of Meredith Wilson’s “The Music Man”, when both the devious Professor Harold Hill and the stingy spinster Marion Paroo discover the true meaning of love.

Read our review of Giancarlo del Monaco's production of Puccini's La Fanciulla del West in its 2011 broadcast from the Met Opera in New York.

Read our review of Giancarlo del Monaco's production of Verdi's Simon Boccanegra in its 2010 broadcast from the Met Opera in New York.

Read our review of Anthony Minghella's production of Puccini­'s Madama Buttefly in its 2009 broadcast from the Met Opera in New York.

Read our review of Robert Lepage's production of Berlioz­'s La Damnation de Faust in its 2008 roadcast from the Met Opera in New York.

Read our review of James Levine's production of Puccini­'s Manon Lescaut in its 2008 broadcast from the Met Opera in New York