En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Nash Ensemble

El Nash Ensemble ofreció un gran concierto desde el Wigmore Hall con obras contemporáneas entre las que se contaban tres estrenos mundiales.

Nash Ensemble nos llevó de viaje desde Granada a Cádiz, pasando por Linares en un recorrido lleno de pasión y buen hacer, donde disfrutamos de coloridos paisajes e historias de amor y desamor.

Martyn Brabbins and Claire Booth are among the Nash Ensemble's regular collaborators celebrating the group’s 60th Anniversary, marked by four world premieres.

A  midsummer night but no moonshine for this madness in the Britten Studio. 

Fine performances from Claire Booth and Nash Ensemble conjure up the dramatic landscapes of Andalusia, the Hebrides and the wilds of southern Wisconsin, as portrayed by Harrison Birtwistle and Simon Holt. 

Robert and Clara were not the only two-composer family. So were Alma and Gustav. The Nash Ensemble's latest programme highlights Beethoven and the Romantics.

The Nash Ensemble performs Dvořák's Piano Quartet no. 2 at Wigmore Hall, followed by a joyful rendition of Schubert's Trout Quintet.

Two contrasting works from the Nash Ensemble made for a fine evening of the very best quality chamber music at Wigmore Hall, gratefully received in the hall and by many online.

A rare and compelling performance of Beethoven's string quintet was the centrepiece of another instalment in the Nash Ensemble's traversal of German Romantic composers.

Awkard programming but fine musicianship from the Nash Ensemble and Christine Rice as part of its 'German Romantics' series.

Opening their season’s residency in their London home with the theme of “German Romantics”, Wigmore Hall was plunged into an autumnal glow.

The Nash Ensemble exploited its versatility in a wide-ranging and enjoyable programme of French chamber music and song featuring soprano Rebecca Evans.

The second half was all about Ravel and Adrian Brendel.

An intriguing programme marked by diversity and novelty from two world-beating ensembles. 

Judith Weir's dramatic new choral work receives a convincing world première from David Hill and the BBC Singers at Southwark Cathedral. 

Spot on progamming makes for an uplifting experience with the Nash Ensemble in Mahler, Schoenberg and Schubert in Wigmore Hall.

Forward-looking programme celebrates contemporary repertoire, with two world premières in a concert of works written within the last 35 years.

L'un des ensembles les plus importants de musique de chambre célébrait son anniversaire autour d'un repas copieux : trois heures de musique et une chanteuse invitée de marque, Sarah Connolly. De vrais moments de grâce.

The Nash Ensemble toasted its golden anniversary with a selection of golden French repertoire – some of it more familiar in orchestral form – at its Wigmore Hall gala.

If I had to come up with a unifying theme for the BBC Singers’ Proms Chamber Music concert at Cadogan Hall, it would be “mystery”. Sir Harrison Birtwistle linked moths with mysteriousness in his mid-concert interview prior to the UK première of The Moth Requiem. Gustav Holst explored the mystery expressed in the ancient Rig Veda texts in his Choral Hymns of the Rig Veda.

As part of the City of London Festival 2013, the Nash Ensemble delivered a varied mixture of works loosely connected by the ubiquitous Britten theme. This hotchpotch-style approach has worked very well indeed for the Nash for nearly 50 years, and tonight’s concert was no exception.

Benjamin Britten isn’t the only British composer with an anniversary this year, and I’m not talking about the 450-year-old John Dowland. David Matthews is 70, and a birthday concert from the Nash Ensemble at Wigmore Hall last Tuesday presented several of his works in tribute.

As I took my seat at Saturday’s concert by the Nash Ensemble, one in a series entitled “Dreamers of Dreams” put on as part of their residency at the Wigmore Hall, I wondered what I was about to let myself in for.

The seventh of the chamber music Proms this year brought together two of the greatest composers of the early 20th century. Though Debussy was twelve years Schoenberg’s senior, of the two works performed it is Schoenberg’s Pierrot Lunaire which was written first, in 1912, with Debussy’s Sonata for flute, viola and harp following three years later in 1915.

The Nash Ensembles' "Echoes of Romanticism" series at the Wigmore Hall, of which this concert was a part, is not really an exploration of romanticism as such, but rather a charting of the rise and fall of Teutonic music between Mozart and Schoenberg.