En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Pavel Černoch

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Múnich

18 mar 2025

Bildmächtige Káťa Kabanová an der Bayerischen Staatsoper

Por Michael Vieth

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Berlín

Die Nixe und der Snob: Rusalka an der Staatsoper unter den Linden

Por Sarah Schnoor, 04 febrero 2024

Wer bin ich? Wo gehöre ich hin? Regisseur Kornél Mundruczó stellt diese Fragen in den Mittelpunkt seiner Coming-of-Age-Erzählung entlang Dvořáks Rusalka und deutet die Geschichte psychologisch als Sozialdrama der Moderne.

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Berlín

06 feb 2024

Die Nixe und der Snob: Rusalka an der Staatsoper unter den Linden

Por Sarah Schnoor

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Chicago

Davidsen and Stemme anchor an extraordinary Jenůfa at Lyric Opera of Chicago

Por Cameron Kelsall, 12 noviembre 2023

Claus Guth's production foregrounds the regimented, repressive world that drives the plot of Janáček’s tragic masterpiece.

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Chicago

12 nov 2023

Davidsen and Stemme anchor an extraordinary Jenůfa in Chicago

Por Cameron Kelsall

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L’Affaire Makropoulos à l'Opéra de Paris : la double mise en abyme de Warlikowski

Por Erwan Gentric, 05 octubre 2023

La production du metteur en scène polonais est de retour à Bastille et on a bien du mal à lui trouver des défauts, d'autant que la direction musicale de Susanna Mälkki est au diapason.

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París

09 oct 2023

La double mise en abyme de L’Affaire Makropoulos à Bastille

Por Erwan Gentric

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Ámsterdam

Double trouble as two directors tackle new Dutch National Opera Rusalka

Por Eleanor Knight, 08 junio 2023

The magic in Philipp Stölzl and Philipp Krenn's new production comes from the pit, where Joana Mallwitz and the Royal Concertgebouw Orchestra captivate.

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Ámsterdam

10 jun 2023

Double trouble as two directors tackle new DNO Rusalka

Por Eleanor Knight

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Berlín

Straussian pastoral: Vera-Lotte Boecker is the ideal Daphne at the Staatsoper Unter den Linden

Por Elena Luporini, 19 febrero 2023

Romeo Castellucci's new production of Daphne for the Staatsoper reflects on our relationship with nature, subverting the perspective of Richard Strauss' opera.

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Berlín

21 feb 2023

Straussian pastoral: Daphne at the Staatsoper Unter den Linden

Por Elena Luporini

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Viena

Transcendent new Jenůfa debuts at Theater an der Wien

Por Chanda VanderHart, 19 febrero 2022

Director Lotte De Beer's thoroughly realized, aesthetically rich and beautifully executed production of Janáček's masterpiece is anchored by strong performances from Nina Stemme and Svetlana Aksenova.

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Viena

20 feb 2022

Transcendent new Jenůfa debuts at Theater an der Wien

Por Chanda VanderHart

„Durch die Gelder, durch die Bauten“: Dmitri Tcherniakovs Freischütz in München

Por Michael Vieth, 02 julio 2021

Herausragende stimmliche Leistungen und Antonello Manacordas Leitung werden in der Staatsoper begeistert aufgenommen.

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Múnich

04 jul 2021

„Durch die Gelder, durch die Bauten“: Dmitri Tcherniakovs Freischütz

Por Michael Vieth

Tcherniakov's new Freischütz a brilliant piece of theater in Munich

Por Ako Imamura, 13 febrero 2021

Dmitri Tcherniakov updates the "German Romantic Opera" into a modern-day thriller with interesting twists in a musically splendid performance in Munich.

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Múnich

13 feb 2021

Tcherniakov's new Freischütz a brilliant piece of theater in Munich

Por Ako Imamura

A long road to nowhere for Igor at the Bastille

Por Mark Pullinger, 01 diciembre 2019

Barrie Kosky's makes a limited impact in his debut at Opéra de Paris, apart from an hallucinogenic Polovtsian Dances.

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París

01 dic 2019

A long road to nowhere for Igor at the Bastille

Por Mark Pullinger

Salzburgo

Antiker Mythos im Vorstadtweiber-Gewand: Médée in Salzburg

Por Isabella Steppan, 04 agosto 2019

Bei den Salzburger Festspielen überfrachtet Regisseur Simon Stone Luigi Cherubinis Oper mit Regieeinfällen, die zwar schlüssig sind, aber zu oft von der Musik ablenken.

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Salzburgo

05 ago 2019

Antiker Mythos im Vorstadtweiber-Gewand: Médée in Salzburg

Por Isabella Steppan

Hamburg

Thrills, chills and an immersive auto-da-fé: Konwitschny's Don Carlos sizzles in Hamburg

Por Mark Pullinger, 30 mayo 2019

From stylised 16th-century dress to a 1970s sitcom ballet, Konwitschny's Staatsoper staging is full of brilliantly inventive touches, splendidly realised in this excellently sung revival.

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Hamburg

31 may 2019

An immersive auto-da-fé: Konwitschny's Don Carlos sizzles

Por Mark Pullinger

Sexe et cruauté à l'Opéra Bastille : Lady Macbeth selon Warlikowski

Por Manuel Gaulhiac, 06 abril 2019

Âmes sensibles s'abstenir ! La nouvelle production de Lady Macbeth de Mtsensk à l'Opéra de Paris, dans la mise en scène de Krzysztof Warlikowski, nous montre l’homme dans toute sa crasse et sa noirceur.

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París

08 abr 2019

Sexe et cruauté à l'Opéra Bastille : Lady Macbeth selon Warlikowski

Por Manuel Gaulhiac

Londres

Two great Royal Opera debuts aren't enough to lift a Katya Kabanova lacking in drama

Por David Karlin, 04 febrero 2019

Amanda Majeski is magnificent in the title role; Ed Gardner shows total master of Janáček's music. But that's not enough to rescue a poorly thought out Richard Jones production.

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Londres

05 feb 2019

Two great debuts, not enough drama: Katya Kabanova at ROH

Por David Karlin

Ámsterdam

“Soap opera at its best”: Katie Mitchell's Jenůfa at Dutch National Opera

Por Nicolas Nguyen, 06 octubre 2018

Katie Mitchell's second production of Jenůfa is a straightforward, effective reading of the libretto well supported by excellent singing actors.

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Ámsterdam

07 oct 2018

“Soap opera at its best”: Katie Mitchell's Jenůfa

Por Nicolas Nguyen

Edinburgh

Hrůša's clarity of vision focuses Dvořák’s Requiem in Edinburgh

Por Simon Thompson, 21 agosto 2018

Jakub Hrůša leads a brilliant performace of Dvořák’s Requiem, but it doesn't completely dispel doubts about the work.

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Edinburgh

21 ago 2018

Hrůša's clarity of vision focuses Dvořák’s Requiem in Edinburgh

Por Simon Thompson

Roma

Dark humour: Michieletto and Gatti provide an adventurous La Damnation de Faust

Por James Imam, 14 diciembre 2017

Michieletto's production for the Teatro dell'Opera in Rome is fresh, intelligent and destined to go down as one of his best.

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Roma

15 dic 2017

An adventurous La Damnation de Faust in Rome

Por James Imam

Stunning revival of Barbara Frey's production of Jenůfa in Munich

Por Ako Imamura, 14 julio 2017

Munich revived a thoughtful modern production of Janáček's Jenůfa, with fine orchestral direction and strong singing doing full justice to the rich score.

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Múnich

15 jul 2017

Stunning revival of Jenůfa in Munich

Por Ako Imamura

Netrebko in majestic form as Tatyana in Paris Onegin

Por Mark Pullinger, 16 mayo 2017

In April, Peter Mattei and Anna Netrebko were starring together in Eugene Onegin at the Metropolitan Opera. Less than a month later and they are reunited in Paris in Willy Decker's staging.

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París

17 may 2017

Netrebko in majestic form as Tatyana in Paris Onegin

Por Mark Pullinger

Ámsterdam

Finding release among the poppy fields: Dmitri Tcherniakov's powerful Prince Igor reaches Amsterdam

Por Mark Pullinger, 07 febrero 2017

Tcherniakov's moving production delves into the psychological rather than revelling in the spectacular.

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Ámsterdam

08 feb 2017

Finding release among the poppy fields

Por Mark Pullinger

Praga

Joshua Bell and the Czech Philharmonic: a scintillating meeting of Old and New Worlds

Por Frank Kuznik, 29 septiembre 2016

American violinist Joshua Bell updates a tradition with class and panache in the Czech Philharmonic's season opener.

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Praga

30 sep 2016

A scintillating meeting of Old and New Worlds

Por Frank Kuznik

Berlín

Der Zaren-Bot schreitet und winkt, die Frauenseele leidet und singt: Die Zarenbraut in Berlin

Por Albrecht Selge, 03 abril 2016

Warum Rimsky-Korsakows Oper nicht längst zum Kernrepertoire gehört, fragt man sich bei dieser glanzvolle Wiederaufnahme.

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Berlín

04 abr 2016

Der Zaren-Bot schreitet und winkt...

Por Albrecht Selge

Oslo

Mommie dearest: Janáček’s Káťa Kabanová in Oslo

Por Aksel Tollåli, 05 septiembre 2015

Willy Decker's gloriously sung production of Janáček’s Káťa Kabanová in Oslo made for a uniquely powerful performance.

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Oslo

08 sep 2015

Janáček’s Káťa Kabanová in Oslo

Por Aksel Tollåli

Londres

Prom 4: Nelsons' era at the CBSO comes to a close with impassioned Beethoven Ninth

Por Nahoko Gotoh, 19 julio 2015

Traditionally at the Proms, Beethoven’s Ninth Symphony is reserved for the penultimate prom slot in September, but this year, they have made an exception and given it to the CBSO and Andris Nelsons.

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Londres

21 jul 2015

Prom 4: Nelsons' era at the CBSO comes to a close

Por Nahoko Gotoh

Die Sache Makropulos mit perfekter Besetzung: Nadja Michael glänzt bei den Münchner Opernfestspielen

Por Norman Schwarze, 02 julio 2015

Mit der Sache Makropulos setzt die bayerische Staatsoper gleich zum Beginn der Münchner Opernfestspiele einen überwältigenden Akzent – dank Nadja Michael.

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Múnich

04 jul 2015

Nadja Michael stiehlt allen die Schau

Por Norman Schwarze

Glyndebourne

Sultry, fiery, coquettish: Stéphanie d’Oustrac’s Carmen at Glyndebourne has it all

Por Mark Pullinger, 23 mayo 2015

“The very incarnation of vice” was how one critic described Célestine Galli-Marié’s Carmen at the opera’s 1875 Opéra Comique première. That description could equally be applied to Stéphanie d’Oustrac in Glyndebourne’s revival of David McVicar’s terrific production.

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Glyndebourne

24 may 2015

Sultry, fiery, coquettish: d’Oustrac’s Carmen

Por Mark Pullinger

Rusalka en demi-teinte à l'Opéra de Paris

Por Clémence Faber, 03 abril 2015

La production légendaire de Robert Carsen revient à l'Opéra de Paris, servie par un plateau soliste inégal.

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