En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Raehann Bryce-Davis

Calixto Bieito inszeniert Mussorgskys unvollendete Oper als tödliches Machtgerangel verschiedener Gruppen. Bei der Gestaltung des Schlusses leistet er sich Freiheiten, die grenzwertig sind.

Strong performances by chorus, orchestra and the father-daughter pairing of Amartuvshin Enkhbat and Anna Pirozzi make this Covent Garden revival well worth the visit.

Barrie Kosky brings his trio of Puccini productions to a close with another triptych: Il trittico in a triumphant staging. 

A fully-staged performance of Wagner's Das Rheingold transforms Walt Disney Concert Hall to an opera house where the orchestra is the star. 

In this world-premiere work, which opens Opera Philadelphia's Festival O23, composer Rene Orth and librettist Hannah Moscovitch dramatize and deconstruct the true story of Nellie Bly's commitment to a mental asylum.

The magic in Philipp Stölzl and Philipp Krenn's new production comes from the pit, where Joana Mallwitz and the Royal Concertgebouw Orchestra captivate. 

Jonathan Miller's modish production returns to The Metropolitan Opera with three leads who are absolutely right. 

Le metteur en scène allemand respecte le caractère propre à chaque partie du trittico puccinien, tout en tissant des liens subtils entre les œuvres.

Francisco Negrín gives his singers little help in a dark, boxy new staging, put together at frantic, last minute speed. 

Soprano Alexandra Shiner displays extraordinary vocal promise and stage presence across a host of Wagner's great female roles.

Rising mezzo-soprano Raehann Bryce-Davis offers a gorgeously sung and grippingly acted portrait of Verdi's gypsy. 

À Toulouse, le Théâtre du Capitole accueille à nouveau du public (non sans quelques aménagements) depuis le 23 mai, avec une belle Force du destin de concert, emmenée par Catherine Hunold.

Hagen, the first chapter in the Theater an der Wien's reimagining of The Ring, features music from Das Rhinegold and Götterdämmerung woven seamlessly together, telling the story from the perspective of Hagen, son of Nibelung dwarf, Alberich.

Rimsky-Korsakov’s opera is rarely performed outside Russia. Sadly, I doubt that Daniel Kramer’s staging for Opera Vlaanderen will win it many new friends.