A streamlined Trovatore at the Glimmerglass Festival

Por Cameron Kelsall, 07 agosto 2021

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“Bryce-Davis offers everything an audience member could want, vocally and dramatically”

Crítica hecha desde Alice Busch Opera Theater, Cooperstown el 7 agosto 2021

Verdi, Il trovatore (abridged)

Glimmerglass Opera

Joseph Colaneri, Dirección

Eric Sean Fogel, Dirección de escena

Christelle Matou, Diseño de vestuario

Robert Wierzel, Diseño de iluminación

Francesca Zambello, Dirección de escena

Michael Mayes, Il conte di Luna

Latonia Moore, Leonora

Gregory Kunde, Manrico

Raehann Bryce-Davis, Azucena

Peter Morgan, Ferrando

Stephanie Sanchez, Ines

Spencer Hamlin, Ruiz

Glimmerglass Festival Orchestra

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Cameron Kelsall, 31st July

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****1

Simon Godwin directs Gounod's Roméo et Juliette at Glimmerglass

Edward Sava-Segal, 30th July

The English theatre directs turns his hand to opera with a staging of Gounod's take on Shakespeare's star-crossed lovers.

****1

Brian Vu and Meredith Arwady shine in Glimmerglass Candide

David Wolfson, 8th July

Glimmerglass Opera Festival’s production of Candide leans heavily on a dry comedic sensibility, which most of the cast execute admirably.

***11

Carmen at Glimmerglass: visually striking, dramatically inconsistent

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Denyce Graves, once the reigning Carmen of her day, directs a new production full of interesting choices that rarely cohere.

**111

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***11

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Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.

Azucena takes center stage in the Glimmerglass Festival's streamlined Trovatore