En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Yuriy Yurchuk

In Helsinki, Antony McDonald pairs Tchaikovsky’s Iolanta with a staged version of Sibelius’ tone poem Luonnotar, brilliantly voiced by soprano Silja Aalto.

Stylish Beethoven from Benjamin Grosvenor and dramatic Ustvolskaya from Yuriy Yurchuk, but Petrenko and the RPO’s blistering Shostakovich steals the show.

Director Cameron Menzies offers a fresh perspective on Tchaikovsky's masterpiece Eugene Onegin in this Northern Ireland Opera production. 

Tchaikovsky's final opera and ballet were always intended to be paired; at the Royal Albert Hall Petrenko and the RPO present them together in a rewarding double-bill, marred by microphones.

Multi-sensory music? Scriabin's Prometheus, Poem of Fire tickles the senses in an ecstatic performance under Stanislav Kochanovsky. 

Cameron Menzies sets Verdi's timeless opera in a timeless world, with a mixture of styles indicating that all is not as it seems.

A change of tenor mid-performance adds further drama to a night at the opera in Covent Garden...

Following success in New York and Madrid, Oropesa gives Covent Garden a Violetta that will be difficult to better.

In a reprise of Ole Anders Tandberg’s somewhat confused production, a solid cast performs a charming bohème, under the baton of Marco Armiliato.

Michael Barker-Craven directs and Renato Balsadonna conducts this successful revival of Puccini's La bohème in Opera North's production at Leeds Grand Theatre.

Bildgewaltig inszeniert Floris Visser Jules Massenets Oper; Elsa Dreisig und Piotr Beczała erobern als unglückseliges Liebespaar Herzen und Ohren.

Foroni's forgotten gem, Margherita makes a welcome return at Wexford Festival Opera. A superlative cast, a charming production and glorious music make this a must-see event in this year's festival.

An icy female ruler, three chaotic cabinet ministers, questionable hand-holding - it could only be Puccini's last opera in a revivial of Serban's gorgeous 1984 production.

Ermonela Jaho sure likes to put herself (and us) through the emotional wringer on Covent Garden's stage. This time, London finally got to see her as another tragic Puccini heroine: Madama Butterfly.

Richard Eyre's uncomplicated production remains as watchable as ever; Joyce El-Khoury makes a promising Covent Garden debut.

When an enormous black gondola creaks and shudders its way across the stage in the “Giulietta' act of the Royal Opera's Tales of Hoffmann, it acts as a metaphor for John Schlesinger's venerable production.

I arrived at the Royal Opera House in the usual way, settled into my seat, and – could you believe it – the opera was gone!

A disappointing staging for the Jette Parker Young Artists' annual showcase at the Royal Opera House. 

Vittorio Grigolo and Joyce DiDonato live up to their starry reputations in the Royal Opera's latest revival of Massenet's tale of unrequited love and suicide.

Even us Verdi enthusiasts experience something of a heavy tread as we wend our way to yet another Traviata at the Royal Opera House.

A clumsily directed, poorly sung Tosca at the ROH made for a dispiriting evening. 

The Royal Opera House get us in the mood for Halloween with a deliciously creepy, lean production of Sir Peter Maxwell Davies' The Lighthouse. 

School’s out for summer and with it the opportunity for the Royal Opera’s Jette Parker Young Artists to showcase their talents in the end of term main stage performance. 

Kristine Opolais offers a nuanced, moving Cio-Cio-San in a solid revival of Moshe Leiser and Patrice Caurier’s sepia and cream production of Madama Butterfly at the Royal Opera.

First class performances from Stephen Gould and Nina Stemme are backed by a magnificent orchestral performance in the Royal Opera's revival of Christof Loy's spartan production.

Figaro rules the roost on the main stage this autumn, but buried in the Nibelheim of the Linbury Studio, Rossini'ss early comedy La scala di seta receives its first ever production by the Royal Opera.