Betrothal and Betrayal: JPYA summer performance

Por Mark Pullinger, 18 julio 2015

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“Fagan had a lovely silvery sheen to her soprano as Léïla pleaded for Nadir’s life”

Crítica hecha desde Royal Opera House, Covent Garden, Londres el 18 julio 2015

Nicolai, Die lustigen Weiber von Windsor (The Merry Wives of Windsor) (Overture)

Verdi, Simon Boccanegra (Excerpt Act I)

Cilea, Adriana Lecouvreur (Excerpt Act I)

Bizet, Les Pêcheurs de perles (Excerpt Act III)

Berlioz, La Damnation de Faust (Excerpt Part IV)

Gounod, Roméo et Juliette (Excerpts Act IV and V)

The Royal Opera

Paul Wynne Griffiths, Dirección

Michele Gamba, Dirección

Jonathan Santagada, Dirección

Greg Eldridge, Dirección de escena

Anush Hovhannisyan, Amelia Grimaldi

Samuel Sakker, Gabriele Adorno, Abbé de Chazeuil

James Platt, Jacopo Fiesco, Quinault, Frère Laurent

Rachel Kelly, Amelia's maid, Mlle Dangeville, Marguerite

Yuriy Yurchuk, Pietro, Michonnet

Nelly Miricioiu, Adriana Lecouvreur

Lauren Fagan, Mlle Jouvenot, Leïla

Luis Gomes, Poisson, Roméo

Jihoon Kim, Prince de Bouillon

Samuel Dale Johnson, Zurga

Kiandra Howarth, Juliette

Welsh National Opera Orchestra

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Betrothal and Betrayal in JPYA's end of term performance at the Royal Opera