En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Partita núm. 1 en si bemol mayor, BWV825

Con una técnica magnífica y un sonido muy cuidado, David Russell ofreció el recital que cerró el Festival de Guitarra de Madrid.

Sokolov firma ante el público madrileño una nueva y memorable colección de paisajes selectos tan personales como poéticos

A little over a year after his marathon all-Ravel recital at the Hall, the Korean pianist returns with an exquisitely performed program of Bach, Schoenberg, Robert Schumann and Chopin.

The Polish pianist’s Gilmore recital traverses suites by Beethoven, Chopin, Szymanowski, Bartók and Bach, benefitting from thoughtful interpretation.

Martha Argerich gives a rare solo performance in the final programme of her festival, performing movements from Tchaikovsky's The Seasons for the very first time. 

Collins gives a scintillating performance of Bach and a highly expressive account of Schubert, Schumann and Chopin.

Szymanowksi’s thrilling Symphony no. 4 “Symphonie concertante” for piano and orchestra is the highlight of this Istanbul Music Festival programme from Sinfonia Varsovia and pianist Piotr Anderszewski. 

András Schiff's Wigmore Hall concert of Bach's six Keyboard Partitas confirmed him as an artist working at the very top of his game.

Almost a year after it started, András Schiff’s Bach project in New York is finally coming to its conclusion. He began on the Upper East Side, at 92Y, with both books of The Well-Tempered Clavier. His performance of Book I, I wrote, was “of the highest quality and depth of thought”.

Similarities between Johann Sebastian Bach and John Cage don't exactly leap out at you. Both have an interest in numbers, it's true: Bach's music is obsessively, perhaps mathematically patterned, and Cage proportioned much of his music according to strict ratios and numerical schemes. But even this similarity is very much an abstract one: can you hear it in the pieces? No, not really.

If the Cadogan Hall’s “Celebrity Recital Series” conjures up unwelcome memories of Jordan’s brief career as a singer, never fear: the Hall has attracted a very different type of famous figure. Hilary Hahn is as unlike Katie Price as could be imagined: small, dark and unassuming, you could pass her in the street without a second glance.