En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | A Midsummer Night's Dream

Balanchine's much-loved yet maddeningly disjointed A Midsummer Night's Dream returns to New York City Ballet. Some glorious performances on opening night, some uneven. But the night belonged to the bugs.

New York City Ballet dancing Balanchine's A Midsummer Night's Dream is the happiest way to end a long season.

The music shimmers and the dancers shine in this twisted tale, a comic ballet but with dark undertones.

Le Ballet de l’Opéra de Paris reprend la chorégraphie shakespearienne de George Balanchine de 1962, pourvue pour l’occasion d’une nouvelle mise en scène et en costumes signée Christian Lacroix.

George Balanchine's ballet brings joy to audiences year in, year out. 

Yet the audience loved it, just as they love every performance of A Midsummer's Night DreamI've ever attended. This ballet is a tribute to Shakespeare, a tribute to love, a tribute to dance. One walks out feeling as if one's "soul is in the sky."

A very fine performance, notable for the musicality which imbued each dancer’s presence and the excellent acting which kept the audience glued to the story.

When you add it all up, this was a perfect closing show. It wasn’t without flaws but they were minor and the good far outweighed the bad.

Si Le Songe d’une Nuit d’Eté a souvent été dansé à l’Opéra de Paris, la version chorégraphiée par George Balanchine en 1962, au répertoire de nombreuses compagnies, n’avait encore jamais été présentée au public parisien. 

As the season closer, you want something like this that lets everyone have some fun.

Neumeiers Sommernachtstraum begeistert das Salzburger Festspielpublikum.

The Mariinsky Ballet treats London audiences with some of Balanchine's finest story ballets : Apollo and A Midsummer Night's Dream 

Carla Escoda reviews The Hamburg Ballet in John Neumeier's A Midsummer Night's Dream, starring Alina Cojocaru, Alexandre Riabko and Konstantin Tselikov, at the War Memorial Opera House in San Francisco.

Nacho Duato’s baffling and beautiful Por Vos Muero, little known in the United States, kicked off Oregon Ballet Theatre’s first season under its new artistic director, Kevin Irving. The piece, originally set on Duato’s Compañia Nacional de Danza in 1996, makes a deep visual and emotional impression, a shining rebuttal to all the tedious, empty acrobatics of much contemporary dance.

The lady at the bus stop announced that she had just been to the ballet, and commented: “I didn’t really understand it but I loved it”. The ballet was A Midsummer Night’s Dream, performed by Northern Ballet, and yes, it was somewhat confusing, though highly enjoyable and very funny.