En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Sonata para piano núm. 16 en do mayor, K545

Chez George Sand, Michel Dalberto convainc davantage dans Ravel que dans Chopin, tandis que le jeune Malaisien Vincent Ong est à l'aise dans Schumann.

In the second of his Mozart concerto appearances with the Philharmonia, Mao Fujita plays the heavenly Piano Concerto no. 25 in C major. 

Ernő Dohnányi's Symphonic Minutes made its first appearance on a Philharmonic subscription program since 1940, followed by a stirring account of Bartók’s Third Piano Concerto with Sir András Schiff.

Chailly's energy and vitality is inspirational on his return to Amsterdam for an all-Rachmaninov concert. 

The Japanese pianist brings his own perspectives to less frequently played works, including his trademark Mozart. 

Víkingur Ólafsson offers remarkable interpretations of major works of Mozart, placed alongside lesser-known pieces by four of the composer’s most important contemporaries for a memorable recital.

A carefully curated concert by the effervescent Icelandic pianist, Víkingur Ólafsson, of music by Mozart and his contemporaries. 

Nicholas McGegan led The Cleveland Orchestra in spirited performances of a Mozart symphony and concerto, the latter with Marc-André Hamelin, and the program was rounded off with suites of music by Rameau and Gluck.

On a warm summer's evening in Mozart's home city, Japanese master pianist Dame Mitsuko Uchida delivered a delicately crafted solo recital.

A Mostly Mozart concert conducted by Edward Gardner and featuring Jeremy Denk was an excellent example of what this festival is trying to achieve.

Colours poured in through a metaphorical stained glass window in Verbier's church.

Mitsuko Uchida’s love of Mozart and Schumann was given vivid expression in the first of a series of recitals in Britain and Germany – but it was Mozart that won the evening here. 

Jeremy Denk's take on Brahms didn't impress Brahms, the Piano Concerto no. 1 in D minor proving an unequal, if refreshing, contest. 

There cannot be many more spectacular views enjoyed during a concert interval than that from the terrace of the Salle des Combins, the main venue for the Verbier Festival.

Sir András Schiff delights Vancouver in the nuances of late sonatas by Haydn, Mozart, Beethoven and Schubert. 

In his 2011 book Verdi and/or Wagner, currently doing the rounds in libraries across the UK for obvious reasons, Peter Conrad devotes the best of 400 pages to essentially draw all sorts of divisive lines: the sensual Italian song versus the cerebral German symphony; the radically different conceptions of tragedy (“Tragedy in Wagner is an act of will […] Verdi’s characters, unlike Wagner’s, would p

In the cultural oasis of King’s Place, only five minutes from the noisy, bustling King’s Cross and St Pancras stations, British pianist Leon McCawley performed the complete piano sonatas of Mozart in a series of four recitals over one weekend. McCawley’s unassuming manner belies an impressive c.v.