En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Cuarteto de cuerda núm. 4 en do mayor, Sz 91

Pour sa première venue au TCE, le jeune ensemble confronte deux monuments de Mozart et Bartók à trois miniatures de Stravinsky, laissant s'exprimer avec passion trois visions de la modernité.

The Doric String Quartet plays all six of Béla Bartók's quartets in one day at this year's Aldeburgh Festival.

The Van Kuijks communicated with great directness the obsessive nature of Bartók’s music in his Fourth Quartet.

À Deauville, le Quatuor Hermès invitait le violoncelliste Yan Levionnois dans un mémorable Quintette de Schubert. Guillaume Vincent a livré une interprétation sensible de trois numéros des Années de pèlerinage de Liszt.

Mit Haydn, Bartók und Brahms gelingt dem Artemis Quartett im Münchner Prinzregententheater eine besonders glückliche Programmauswahl.

Les Diotima ne se sont pas fait la partie belle : quel pari exorbitant que de vouloir jouer en une seule soirée l’intégrale des Quatuors de Bartók ! D’aucuns auraient pensé que ce qu’ont tenté les quatre musiciens était perdu d’avance...

The Jerusalem Quartet offered a compelling rendition of works by Mozart, Bartók, and Schumann in the University of Chicago's Mandel Hall.

Auckland has not seen chamber music of this sheer magnetic excitement since, funnily enough, the Takács Quartet were here a couple of years ago. There must be something in the water in Hungary for that country to concurrently have two such magnificent string quartets.

For the enthusiastic crowd that called the Takács Quartet back for multiple bows, Bartók will never sound quite the same again.

Violinist Pekka Kuusisto and Britten Sinfonia succeeded in creating a dynamic and captivating programme at Milton Court, with a series of works conceived as a whole and leading up to Britten's Serenade.

After a week of big orchestras and big works, Musikfest Berlin took a breath by returning to the Kammermusiksaal at the midway mark of the festival.

There are few better openers to a string quartet recital than Haydn, the man who developed the genre into the democratic dialogue capable of drawing 900 listeners. Few better examples of this democracy exist than the variations which constitute the second movement of his 1796–97 String Quartet in C major Op. 76 no. 3, “Emperor”.

Bartók used folk music to find his own voice as a composer of classical music. He roamed the Balkans, north Africa and the Middle East to rediscover models of what was really music to his ears, much in the same spirit as Picasso and others searched out models of primitive representations to refresh what we see.

Violin virtuoso James Ehnes gave a concert of works by Béla Bartók on May 28th at the Montreal Chamber Music Festival. Just the day before, Ehnes had performed an equally challenging program of completely different repertoire - works by Ravel (the duo, the trio, and the quartet). Both performances were of the highest quality, and showcased a performer with unparalleled command of his instrument.

Classical music is the last thing one would expect to find behind the historic Village gate at (Le) Poisson Rouge. Don’t let the venue fool you; (Le) Poisson Rouge regularly plays host to a myriad of performers. Thursday night, it was the Takács Quartet.

The renowned Chilingirian Quartet gave an electrifying performance of celebrated string quartets by Bartok, Haydn and Beethoven at London's Wigmore Hall.The concert began with an outstanding rendition of Bartok’s Fourth String Quartet (1928), which consists of five movements in a loose ‘arch’ form.