En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Symphony in C (Le Palais de Cristal)

A triple bill of works by Balanchine shows off both the dancers’ versatility and his own wide ranging skills as a choreographer. 

The final performance at NYCB’s fall season was the best one. One has to have just pure admiration for this company, its dancers, its history, its future.

New York City Ballet marked its 75th anniversary with the same triple bill that caused so much excitement at City Center in 1948: Orpheus, Concerto Barocco and Symphony in C.

Their artistry was something that is rarely seen and is a great gift to us all.

Die vier Tänzerinnen und sieben Tänzer zittern, ihre Arme, Schultern und Hände kratzen, flattern und schluchzen in oft eckigem Gestus und doch sind alle Bewegungen im Fluss.

To celebrate its return to the theatre after lockdown, New York City Ballet pulled out all the stops with a triple bill of Balanchine's Serenade and Symphony in C and Wheeldon's After the Rain. The house went wild. 

Disappointing new creations in NYCB's Fall Fashion Gala, leaving Balanchine's Symphony in C as a surefire closer. 

The Firebird/A Month in the Country/Symphony in C is an effective and enjoyable programme to close The Royal Ballet's season.

Audio and film permeate Marriott's new work for The Royal Ballet, recounting the tale of Ted Feltham, a British Soldier uuring World War 1, and his fiancée, Florence Billington. 

The Scala Ballet performs a daring triple bill this Spring, showcasing young Italian choreographers alongside one of Balanchine's masterpieces, Symphony in C.

I cannot sufficiently repeat that Peter Martins’ legacy will be measured by the number of outstanding dancers he has nurtured during his tenure.

Le programme intitulé Balanchine/Millepied réunit ce mois-ci deux œuvres néoclassiques, Le Palais de Cristal, créé pour l’Opéra de Paris en 1947 et Daphnis et Chloé, dans une nouvelle chorégraphie composée cette année par Benjamin Millepied.

When planning for the 2012/13 season, Artistic Director Mikko Nissinen could not have known how incredibly well-timed Chroma would seem for the Boston community.