Fall season's new works fall short at NYCB

Por Ivy Lin, 03 octubre 2019

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Crítica hecha desde Lincoln Center: David H Koch Theater, Nueva York el 2 octubre 2019

Opus 19 / The Dreamer (Jerome Robbins)

The Shaded Line (Lauren Lovette)

Lineage (Edwaard Liang)

Symphony in C (Le Palais de Cristal) (George Balanchine)

New York City Ballet

New York City Ballet Orchestra

Lauren Lovette, Bailarín

Taylor Stanley, Bailarín

Unity Phelan, Bailarín

Maria Kowroski, Bailarín

Tyler Angle, Bailarín

Sara Mearns, Bailarín

Russell Janzen, Bailarín

Ashley Bouder, Bailarín

Peter Walker, Bailarín

Roman Mejia, Bailarín

Georgina Pazcoguin, Bailarín

Mary Thomas MacKinnon, Bailarín

Sterling Hyltin, Bailarín

Gonzalo Garcia, Bailarín

Joseph Gordon, Bailarín

Indiana Woodward, Bailarín

Kurt Nikkanen, Violín

El ballet neoclásico viste de gala al Teatro Real:

Cintia Borges Carreras, 26th January

Un reducido número de integrantes del Ballet de l’Opéra National de Paris ha presentado en el Real un programa de obras cortas y han danzado más allá de la técnica, mostrando el cuerpo que siente el movimiento y baila.

****1

Anhelos, tormentos y divertimentos con la Compañía Nacional de Danza

Eduardo López-Collazo, 22nd July

La Compañía Nacional de Danza propuso un delicado programa que recorre los puntos fuertes de la agrupación en el Teatro Real, y donde la elección estrella fue In the nigth de Jerome Robbins.

***11

Understatement and spectacle at New York City Ballet

Carla Escoda, 26th February

Jerome Robbins' Dances at a Gathering and George Balanchine's Diamonds make a study in contrasts. With lots of debuts in the former and seasoned leads in the latter.

*****

Irresistible: Justin Peck’s The Wind-Up premieres at NYCB

Carla Escoda, 29th January

Never has Justin Peck seemed more compositionally assured, and paradoxically freer, than in his latest ballet, breaking the mold of past work that mostly celebrated the camaraderie of his generation.

****1

Dutch National Ballet's opener in New York: meandering and unfocused

Ivy Lin, 20th November

Dutch National Ballet returning to New York after more than 40 years should have been thrilling. The opening program, whilst beautifully danced, was somewhat muted.

***11

London City Ballet at the Linbury: joy and sorrow at its best

Deborah Weiss, 19th November

London City Ballet move into a new venue with absolute confidence and gravitas in a quadruple bill that says everything about their future and success.

*****

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Ivy Lin

Ivy Lin's love of ballet began in high school when at the school dance she quickly realized she had two left feet. One always admires things one cannot do, and so Ivy began to attend dance performances to marvel at the grace and beauty of bodies in motion. Ivy's day job is a biology teacher and after a long day in the classroom she loves to unwind by watching dance. She also enjoys theater, opera, pop and classical music. Ivy has her own blog (www.humbledandoverwhelmed,blogspot.com)