Grenzerfahrungen bei Israel Galváns la fiesta

Por Stephan Eckel, 06 junio 2018

Descargando, espere, por favor...

“Auf das Fest muss man sich einlassen können, um den Reichtum zu erfahren”

Crítica hecha desde La Grande Halle, Parc de La Villette, París el 5 junio 2018

La Fiesta (Israel Galván)

Israel Galván au sommet dans El Dorado au Théâtre de la Ville

Julie Jozwiak, 12th October

L'immense artiste flamenco est apparu dans son authenticité la plus profonde dans son spectacle solo accompagné du duo Los Mellis de Huelva.

*****

Flipping the norms: Israel Galván's La Fiesta

Graham Watts, 27th April

Challenging dance theatre mined from highly personal reflections on a childhood spent in the fin de fiestas of flamenco.

***11

FLA.CO.MEN wins rapturous reception in HK

Carla Escoda, 5th March

Israel Galván breaks a lot of sacred eggs at the Hong Kong Arts Festival. A few serendipitous moments add to the fierce beauty of this defiant, narrative-free meditation on a life in flamenco.

***11

FLA.CO.MEN

Graham Watts, 15th February

Deconstructing flamenco in a flaccid affair, lacking the vigour one has come to expect from a performer with such leonine stage presence and passion.

**111

Akram Khan & Israel Gavan

Laurine Mortha, 22nd December

Avec Torobaka, Akram Khan et Israel Galvan puisent dans les origines de leur art pour confronter flamenco et danse traditionnelle kathak, originaire de l’Inde du Nord. Si les techniques s’entrechoquent, le rythme et l’énergie de la danse s’unissent dans un face-à-face époustouflant.

*****

Israel Galván presents his experimental La Curva at London Flamenco Festival

Cristina de Lucas, 24th March

Israel Galván is nowadays a renowned and acclaimed flamenco artist. After years of consolidating good fame as a fine dancer, he started to create his own choreographies in 1998. From his first work, Mira!, he revealed a distinctive style installed in the most innovative and daring side of the flamenco panorama.

**111

Más críticas...

Stephan Eckel

While studying Art History, French and German Literature in Frankfurt/Main and Montpellier, Stephan developed his first interests in theater, opera and dance. This led him to various productions for festivals and opera houses, including the Rheingau Musikfestival 2011, Montpellier Danse 2013, and the Frankfurt Opera. Stephan has a particular passion for 20th century and contemporary opera and dance. After a work experience in Paris for two years, he is now working on his PhD thesis at the University of Cologne.

Den Spannungsbogen überspannen: Grenzerfahrungen bei Israel Galváns la fiesta