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Die WalküreNueva producción

NationaltheaterMax-Joseph-Platz 2, Múnich, Bayern, 80539, Alemania
Fechas/horas en zona horaria de Berlin
jueves 25 junio 202617:00
domingo 28 junio 202617:00
miércoles 01 julio 202617:00
sábado 04 julio 202617:00
miércoles 08 julio 202617:00
Festival: Munich Opera Festival
Intérpretes
Bayerische Staatsoper
Vladimir JurowskiDirección
Tobias KratzerDirección de escena
Rainer SellmaierDiseño de escena, Diseño de vestuario
Michael BauerDiseño de iluminación
Bayerisches Staatsorchester
Matthias PiroMitarbeit Inszenierung
Manuel BraunVideoarte
Jonas DahlVideoarte
Janic BebiVideoarte
Olaf RothDramaturgia
Bettina BartzDramaturgia
Joachim BäckströmTenorSiegmund
Ain AngerBajoHunding
Nicholas BrownleeBajo-barítonoWotan
Irene RobertsMezzosopranoSieglinde
Miina-Liisa VäreläSopranoBrünnhilde
Ekaterina GubanovaMezzosopranoFricka
Dorothea HerbertSopranoHelmwige
Julie AdamsSopranoGerhilde
Elene GvritishviliSopranoOrtlinde
Claudia MahnkeMezzosopranoWaltraute
Niina KeitelMezzosopranoSiegrune
Christina BockMezzosopranoRoßweiße
Natalie LewisMezzosopranoGrimgerde
Noa BeinartMezzosopranoSchwertleite

Richard Wagner wrote Die Walküre as the second of four parts of the powerful musical theatre epic, Der Ring des Nibelungen, which is based on the Medieval Nibelungenlied and old Norse god sagas. Wotan, the highest god, has fathered twins with a mortal woman – Siegmund and Sieglinde. These two in turn have a child, in which Wotan sees his dominion consolidated. His wife Fricka defies his plans and, as protector of the traditional marriage rites, demands Siegmund’s death. Wotan reluctantly agrees, although it will cause a split with his favourite daughter.

After beginning with Das Rheingold, in which he showed how the gods find their way back to their original power, director Tobias Kratzer and his team now focus on the meaning of “having no shelter”, and indeed, “both in the concrete sense (Siegmund, who with no house or home must flee) and in the metaphorical sense (Wotan, who increasingly feels more alone and lost in the expanses of eternity and cosmic fear)” (Tobias Kratzer). The piece, says Kratzer, asks the question as to whether, “love could be the solution to this dilemma?” And whether, “having no shelter can be ‘remedied’ or at least temporarily forgotten by love”, or perhaps it is the greatest of all self-deceptions.

Tickets: € 343 / 313 / 272 / 213 / 104 / 69 / 28 / 20

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