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Die WalküreNouvelle production

NationaltheaterMax-Joseph-Platz 2, München, Bayern, 80539, Allemagne
Dates/horaires selon le fuseau horaire de Berlin
jeudi 25 juin 202617:00
dimanche 28 juin 202617:00
mercredi 01 juillet 202617:00
samedi 04 juillet 202617:00
mercredi 08 juillet 202617:00
Festival: Munich Opera Festival
Artistes
Bayerische Staatsoper
Vladimir JurowskiDirection
Tobias KratzerMise en scène
Rainer SellmaierDécors, Costumes
Michael BauerLumières
Bayerisches Staatsorchester
Matthias PiroMitarbeit Inszenierung
Manuel BraunVidéaste
Jonas DahlVidéaste
Janic BebiVidéaste
Olaf RothDramaturgie
Bettina BartzDramaturgie
Joachim BäckströmTénorSiegmund
Ain AngerBasseHunding
Nicholas BrownleeBaryton-basseWotan
Irene RobertsMezzo-sopranoSieglinde
Miina-Liisa VäreläSopranoBrünnhilde
Ekaterina GubanovaMezzo-sopranoFricka
Dorothea HerbertSopranoHelmwige
Julie AdamsSopranoGerhilde
Elene GvritishviliSopranoOrtlinde
Claudia MahnkeMezzo-sopranoWaltraute
Niina KeitelMezzo-sopranoSiegrune
Christina BockMezzo-sopranoRoßweiße
Natalie LewisMezzo-sopranoGrimgerde
Noa BeinartMezzo-sopranoSchwertleite

Richard Wagner wrote Die Walküre as the second of four parts of the powerful musical theatre epic, Der Ring des Nibelungen, which is based on the Medieval Nibelungenlied and old Norse god sagas. Wotan, the highest god, has fathered twins with a mortal woman – Siegmund and Sieglinde. These two in turn have a child, in which Wotan sees his dominion consolidated. His wife Fricka defies his plans and, as protector of the traditional marriage rites, demands Siegmund’s death. Wotan reluctantly agrees, although it will cause a split with his favourite daughter.

After beginning with Das Rheingold, in which he showed how the gods find their way back to their original power, director Tobias Kratzer and his team now focus on the meaning of “having no shelter”, and indeed, “both in the concrete sense (Siegmund, who with no house or home must flee) and in the metaphorical sense (Wotan, who increasingly feels more alone and lost in the expanses of eternity and cosmic fear)” (Tobias Kratzer). The piece, says Kratzer, asks the question as to whether, “love could be the solution to this dilemma?” And whether, “having no shelter can be ‘remedied’ or at least temporarily forgotten by love”, or perhaps it is the greatest of all self-deceptions.

Tickets: € 343 / 313 / 272 / 213 / 104 / 69 / 28 / 20

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