Komische Oper Berlin | ||
Jordan de Souza | Dirección | |
Barrie Kosky | Dirección de escena | |
Rebecca Ringst | Diseño de escena | |
Klaus Bruns | Diseño de vestuario | |
Chorsolisten der Komischen Oper Berlin | ||
Günter Papendell | Barítono | Eugene Onegin |
Nadja Mchantaf | Soprano | Tatyana |
Maria Fiselier | Mezzosoprano | Olga |
Aleš Briscein | Tenor | Lensky |
Önay Köse | Bajo | Prince Gremin |
Margarita Nekrasova | Mezzosoprano | Filippyevna |
Christiane Oertel | Mezzosoprano | Madame Larina |
Christoph Späth | Tenor | Monsieur Triquet |
Jan-Frank Süße | Bajo-barítono | Captain |
Samuli Taskinen | Bajo | Zaretsky |
Via his friend Lensky, Eugene Onegin gets to know two sisters at a country estate: the cheerful Olga and the timid Tatyana, who falls in love with him upon first sight. When she confesses her love to him a in a long letter, however, Onegin rejects her and overtly flirts with her sister. Lensky, outraged by Onegin's behaviour, challenges his friend to a duel, which ends in Lensky's death. Years later, following an unsettled life, Onegin encounters Tatyana, whose powerful aura now utterly captivates him. But Tatyana is now married. Happily, as she claims... It was not the stuff of grand opera, but the emotions of real people, »a conflict which truly touches me«, which inspired Tchaikovsky when he achieved the first great success of his operatic career with Eugene Onegin. Poetic richness was more important to the composer than a fast-paced dramatic plot. Warm, heart-felt melodies, choruses in the Russian folk tradition and a richly instrumented orchestral sound spirit audiences away into the inner worlds of the protagonists, who – as so often with Tchaikovsky – cannot escape their destiny.