Kosky's compelling Onegin returns to the Komische Ope

Asmik Grigorian (Tatyana) and Günter Papendell (Onegin)

Karolina Gumos (Olga), Asmik Grigorian, Christiane Oertel (Larina) Margarita Nekrasova (Filippyevna)

Asmik Grigorian, Margarita Nekrasova (Filippyevna) and Karolina Gumos (Olga)

Por Hugo Shirley, 31 marzo 2018

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“a staging of compelling detail and concentration”

Crítica hecha desde Komische Oper Berlin, Berlín el 29 marzo 2018

Chaikovskiï, Eugene Onegin

Komische Oper Berlin

Jordan de Souza, Dirección

Barrie Kosky, Dirección de escena

Rebecca Ringst, Diseño de escena

Klaus Bruns, Diseño de vestuario

Günter Papendell, Eugene Onegin

Nadja Mchantaf, Tatyana

Maria Fiselier, Olga

Aleš Briscein, Lensky

Önay Köse, Prince Gremin

Margarita Nekrasova, Filippyevna

Christiane Oertel, Madame Larina

Christoph Späth, Monsieur Triquet

Jan-Frank Süße, Captain

Samuli Taskinen, Zaretsky

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Hugo Shirley

Hugo Shirley is a Berlin-based writer and musicologist. He has written widely as a critic in the UK, including for The Spectator, the Financial Times and Daily Telegraph, and has held editorial posts at both Opera and Gramophone. He was editor of 30-Second Opera (Ivy Press, 2015) and has a PhD in musicology from King's College London, where his thesis focused on Strauss and Hofmannsthal’s Die Frau ohne Schatten.

A study in contrasts: Barrie Kosky's compelling Onegin returns to the Komische Oper