A portrait of what might have been: Eugene Onegin at San Carlo

Elena Stikhina (Tatyana) and Artur Ruciński (Onegin)

Elena Stikhina (Tatyana)

Elena Stikhina, Nino Surguladze (Olga), Monica Bacelli (Larina), Larissa Diadkova (Filippyevna)

Elena Stikhina (Tatyana) and Artur Ruciński (Onegin)

Eugene Onegin

Artur Ruciński (Onegin) and Michael Fabiano (Lensky)

Por David Karlin, 16 junio 2022

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“a quite brilliant evocation of wistfulness and heartbreak”

Crítica hecha desde Teatro di San Carlo, Naples el 15 junio 2022

Chaikovskiï, Eugene Onegin

Teatro di San Carlo

Fabio Luisi, Dirección

Barrie Kosky, Dirección de escena

Rebecca Ringst, Diseño de escena

Klaus Bruns, Diseño de vestuario

Franck Evin, Diseño de iluminación

Orchestra del Teatro di San Carlo

Coro del Teatro di San Carlo

Artur Ruciński, Eugene Onegin

Elena Stikhina, Tatyana

Nino Surguladze, Olga

Michael Fabiano, Lensky

Alexander Tsymbalyuk, Prince Gremin

Larissa Diadkova, Filippyevna

Monica Bacelli, Madame Larina

Gregory Bonfatti, Monsieur Triquet

Antonio De Lisio, Captain

Rosario Natale, Zaretsky

Rosa Feola’s Lucia rescues a San Carlo production showing its age

Lorenzo Fiorito, 11th March

Gianni Amelio's 2021 production of Lucia di Lammermoor at the Teatro di San Carlo serves the music, but it no longer commands the same sense of discovery.

***11

Laurent Pelly’s Falstaff passes the Naples test with flying colours

Lorenzo Fiorito, 15th February

The French director’s much-travelled production arrives at the Teatro di San Carlo, displaying a precise balance between word, gesture and voice.

*****

Ludovic Tézier delivers a noble Nabucco in Naples

Lorenzo Fiorito, 18th January

Andreas Homoki’s staging at the Teatro di San Carlo, setting aside a few inconsistencies with the libretto, does not indulge in redundant symbolism.

***11

Ennio Morricone’s only opera, Partenope, finally premiered in Naples

Lorenzo Fiorito, 14th December

Vanessa Beecroft’s production of Ennio Morricone’s demanding sole opera relies on strong visual images.

***11

San Carlo’s Medea a clash of worlds in a neoclassical framework

Lorenzo Fiorito, 10th December

A new Medea at the Teatro di San Carlo presents three distinct visions – neoclassical in the pit, expressionistic on stage and conceptual in the direction – that never fully merge.

***11

Vocal triumph in Un ballo in maschera at the Teatro di San Carlo

Lorenzo Fiorito, 11th October

Faithful to the libretto’s dramaturgy, the staging unfolds in scenographic environments of strong impact -

****1

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David Karlin

David is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.

A portrait of what might have been: Eugene Onegin at Teatro di San Carlo