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Intérprete: Benjamin Hulett

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GatesheadElgar’s Dream of Gerontius

© No credit
Elgar: The Dream of Gerontius, Oratorio for soloists chorus and orchestra, Op.38
Royal Northern Sinfonia; Dinis Sousa; Dame Sarah Connolly; Benjamin Hulett; Roderick Williams; Timothy Burke

HamburgOrchestre des Champs-Élysées

© Michael Hend
Beethoven, Schubert
Orchestre des Champs-Élysées; Philippe Herreweghe; Collegium Vocale Gent; Serafina Starke; Sophie Harmsen; Ilker Arcayürek

GatesheadHandel’s Messiah

© No credit
Handel: El Mesías
Royal Northern Sinfonia; Sofi Jeannin; Hilary Cronin; Helen Charlston; Benjamin Hulett; Luthando Qave

PooleHaydn's Creation

© Bournemouth Symphony Orchestra
Haydn: La Creación (Die Schöpfung), Hob XXI:2
Bournemouth Symphony Orchestra; David Hill; Bournemouth Symphony Chorus; Anna Devin; Benjamin Hulett; Christopher Purves

High WycombeIl ritorno d'Ulisse in patriaNueva producción

Ed Lyon (Ulisse) © Julian Guidera
Monteverdi: Il ritorno d'Ulisse in patria (The Return of Ulysses to his Country), SV 325
Laurence Cummings; John Caird; Garsington Opera; Robert Jones; Paul Pyant; The English Concert

LondresKátya Kabanová

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Janáček: Kátya Kabanová
Jakub Hrůša; Richard Jones; The Royal Opera; Antony McDonald; Lucy Carter; Orchestra of the Royal Opera House Covent Garden
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Idomeneo, por Bolton y Carsen: humano, demasiado humano

Bolton, la Orquesta Sinfónica de Madrid, el Coro Intermezzo y el reparto solista evidencian durante muchos de los coros y arias el esplendor que la innovación del lenguaje melódico y armónico alcanza en esta pieza, probablemente la ópera de Mozart más injustamente relegada a una posición secundaria dentro de su propio canon.

Monteverdi and Ulisse return happily to Garsington Opera

Ed Lyon (Ulisse) © Julian Guidera
Laurence Cummings and John Caird’s second Garsington exploration of the operas of Monteverdi brims with wonderfully playing and singing in an attractive setting.

Freudian slip: Handel’s Tamerlano recast as Trumpian tantrums

Jonathan Brown (Leone) © Craig Fuller
Opha Phelan’s staging presents the action as a grand, Freudian social experiment. It’s a risk – but the production is lifted by outstanding performances from the cast and the Academy of Ancient Music.

Hymn of Praise: thrilling Mendelssohn at the Glasshouse

Hera Hyesang Park, Dinis Sousa and the Royal Northern Sinfonia © Thomas Jackson | TyneSight Media
As the BBC Proms visits Gateshead, Dinis Sousa and the Royal Northern Sinfonia excel in Mendelssohn, although David Fray's Bach underwhelms. 

La Neuvième de Beethoven crescendo de Philippe Herreweghe

Philippe Herreweghe © Christian Palm
Avec ses complices fidèles du Collegium Vocale Gent et de l'Orchestre des Champs-Élysées, le chef belge a proposé une interprétation de plus en plus convaincante du chef-d'œuvre de Beethoven.

Handel's Messiah overpowered by massed forces at the Proms

Messiah at the BBC Proms Choral Day © BBC | Andy Paradise
Massed choral forces, a strong solo line up and expanded orchestral forces overpower Handel at the end of the BBC Proms Choral Day.
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NaardenBach's St Matthew Passion

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Bach: Pasión según San Mateo, BWV244
Jos van Veldhoven; Nederlandse Bachvereniging; Kampen Boys Choir; Benjamin Hulett; Andreas Wolf