Freudian slip: Handel’s Tamerlano recast as Trumpian tantrums

Jonathan Brown (Leone)

James Laing (Tamerlano) and Nardus Williams (Asteria)

Jake Ingbar (Andronico) and Nardus Williams (Asteria)

Benjamin Hulett (Bajazet)

James Laing (Tamerlano)

Por Mark Pullinger, 27 marzo 2026

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“Nardus Williams was born to sing Handel and her pearly soprano shone brightly here”

Crítica hecha desde Shoreditch Town Hall, Londres el 26 marzo 2026

Handel, Tamerlano

Laurence Cummings, Dirección

Orpha Phelan, Dirección de escena

Madeleine Boyd, Designer

Matthew Haskins, Diseño de iluminación

Academy of Ancient Music

James Laing, Tamerlano

Benjamin Hulett, Bajazet

Nardus Williams, Asteria

Jake Ingbar, Andronico

Kitty Whately, Irene

Jonathan Brown, Leone

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Freudian slip: Tamerlano recast as Trumpian tantrums at the London Handel Festival