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Londres‘Ariadne auf Naxos’ from GlyndebourneVersión semiescenificada
Strauss R.: Ariadne auf Naxos
Robin Ticciati; Glyndebourne Festival Opera; London Philharmonic Orchestra; Rachel Willis-Sørensen; David Butt Philip; Samantha Hankey
BarcelonaFidelio de BeethovenVersión de concierto
Beethoven: Fidelio
Pablo Heras-Casado; Orchestre Révolutionnaire et Romantique; Monteverdi Choir; David Butt Philip; Julia Kleiter
GlyndebourneAriadne auf NaxosNueva producción
Strauss R.: Ariadne auf Naxos
Robin Ticciati; Laurent Pelly; Glyndebourne Festival Opera; Massimo Troncanetti; Marco Giusti; London Philharmonic Orchestra
BerlínLa VestaleNueva producción
Spontini: La Vestale
Carlo Rizzi; Lydia Steier; Staatsoper Berlin; Giuseppe Mentuccia; Étienne Pluss; Katharina Schlipf; Valerio Tiberi
VienaFidelio
Beethoven: Fidelio
Cornelius Meister; Nikolaus Habjan; Wiener Staatsoper; Julius Semmelmann; Denise Heschl; Franz Tscheck; Orchestra of the Vienna State Opera
LondresKátya Kabanová
Janáček: Kátya Kabanová
Jakub Hrůša; Richard Jones; The Royal Opera; Antony McDonald; Lucy Carter; Orchestra of the Royal Opera House Covent Garden
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Rusalka y el teatro como metáfora de un mundo de sombras
El Teatro Real estrena una nueva producción de Rusalka, ópera de Dvořák que enfrenta el mundo mágico y el mundo real, dirigida por Ivor Bolton y Christof Loy.
La reposición del Anillo de Carsen en el Teatro Real empieza con un pálido Oro del Rin
Este prosaico Anillo de Carsen vuelve oportunamente con un melancólico mensaje de decadencia.
A dream of a Gerontius from Pappano, the LSO and Chorus
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Giving their 27th performance of the oratorio, the London Symphony Chorus excel as angelic angels and demonic demons.
A rite of spring turned inward: Strauss’ Daphne at Seattle Opera
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Presented without staging, Seattle Opera’s concert Daphne places Strauss’ extreme vocal demands and saturated orchestral writing in sharp relief, offering a high-risk encounter with a rarely heard late opera.
Fidelio-Neuinszenierung an der Wiener Staatsoper: Welser-Möst rockt
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Musikalisch begeistert vor allem Franz Welser-Möst im Orchestergraben; Nikolaus Habjan bringt seine Puppen.
Bychkov’s Mahler 8 makes a heavenly finale for Prague Spring
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Under the baton of Semyon Bychkov, the Czech Philharmonic and a sprawling supporting cast lead listeners up a stairway to heaven.
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VienaFidelio
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Beethoven: Fidelio
Franz Welser-Möst; Nikolaus Habjan; Wiener Staatsoper; Julius Semmelmann; Denise Heschl; Franz Tscheck; Orchestra of the Vienna State Opera
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David Butt Philip: “It is a funny business”
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The British tenor reflects on his time as a Jette Parker Young Artist and the swerve in direction his career has taken since.