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Londres‘Ariadne auf Naxos’ from GlyndebourneVersión semiescenificada
Strauss R.: Ariadne auf Naxos
Robin Ticciati; Glyndebourne Festival Opera; London Philharmonic Orchestra; Rachel Willis-Sørensen; David Butt Philip; Samantha Hankey
LondresSakari Oramo conducts Bray and Liszt
Bray, Liszt
BBC Symphony Orchestra; Sakari Oramo; Leila Josefowicz; David Butt Philip; BBC Symphony Chorus
BarcelonaFidelio de BeethovenVersión de concierto
Beethoven: Fidelio
Pablo Heras-Casado; Orchestre Révolutionnaire et Romantique; Monteverdi Choir; David Butt Philip; Julia Kleiter
GlyndebourneAriadne auf NaxosNueva producción
Strauss R.: Ariadne auf Naxos
Robin Ticciati; Laurent Pelly; Glyndebourne Festival Opera; Massimo Troncanetti; Marco Giusti; London Philharmonic Orchestra
BerlínLa VestaleNueva producción
Spontini: La Vestale
Carlo Rizzi; Lydia Steier; Staatsoper Berlin; Giuseppe Mentuccia; Étienne Pluss; Katharina Schlipf; Valerio Tiberi
VienaFidelio
Beethoven: Fidelio
Cornelius Meister; Nikolaus Habjan; Wiener Staatsoper; Julius Semmelmann; Denise Heschl; Franz Tscheck; Orchestra of the Vienna State Opera
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Rusalka y el teatro como metáfora de un mundo de sombras
El Teatro Real estrena una nueva producción de Rusalka, ópera de Dvořák que enfrenta el mundo mágico y el mundo real, dirigida por Ivor Bolton y Christof Loy.
La reposición del Anillo de Carsen en el Teatro Real empieza con un pálido Oro del Rin
Este prosaico Anillo de Carsen vuelve oportunamente con un melancólico mensaje de decadencia.
Passion without the fireworks: Ariadne auf Naxos at Glyndebourne
Pelly’s low-level intervention leaves the audience marooned at the end of his new production of Strauss and Hofmannsthal’s operatic divertissement.
A dream of a Gerontius from Pappano, the LSO and Chorus
Giving their 27th performance of the oratorio, the London Symphony Chorus excel as angelic angels and demonic demons.
A rite of spring turned inward: Strauss’ Daphne at Seattle Opera
Presented without staging, Seattle Opera’s concert Daphne places Strauss’ extreme vocal demands and saturated orchestral writing in sharp relief, offering a high-risk encounter with a rarely heard late opera.
Fidelio-Neuinszenierung an der Wiener Staatsoper: Welser-Möst rockt
Musikalisch begeistert vor allem Franz Welser-Möst im Orchestergraben; Nikolaus Habjan bringt seine Puppen.
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VienaFidelio
Beethoven: Fidelio
Franz Welser-Möst; Nikolaus Habjan; Wiener Staatsoper; Julius Semmelmann; Denise Heschl; Franz Tscheck; Orchestra of the Vienna State Opera
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David Butt Philip: “It is a funny business”
The British tenor reflects on his time as a Jette Parker Young Artist and the swerve in direction his career has taken since.