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LondresIn the Belly of the Beast
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Jacquet de la Guerre: Cantates Bibliques
Carolyn Sampson; Mariana Rodrigues; Dunedin Consort
LondresAngela Hewitt / Dunedin Consort
Haydn, Bach C.P.E., Martinez, Mozart
Angela Hewitt; Dunedin Consort
LondresDunedin Consort / John Butt
Scheidt, Rosenmüller, Geist, Bach J. C., Böhm, Buxtehude, Theile, Schütz, Bach
John Butt; Dunedin Consort; Lucy Crowe; Joanna Songi; Sarah Anne Champion
SnapeDunedin Consort: In the Belly of the Beast
Jacquet de la Guerre
Jennifer Fletcher; Mahogany Opera; Dunedin Consort; Carolyn Sampson
EdinburghDunedin Consort
Davies: Passion of Mary Magdalene
John Butt; Dunedin Consort; Anna Dennis; Marcus Farnsworth
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Los Conciertos de Brandeburgo en el Homenaje a Tomás y Valiente
La Universidad Autónoma de Madrid rinde homenaje a Francisco Tomás y Valiente con un programa integrado por los seis conciertos de Brandeburgo de Bach capitaneados por la dirección y el clave de John Butt.
The Dunedin Consort Messiah remains a welcome seasonal speciality
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The Dunedin Messiah, a speciality with Baroque instruments, is given with soloists Nardus Williams, Lotte Betts-Dean, Joshua Ellicott and Dingle Yandell in Perth, directed by John Butt.
Leipzig 300: Dunedin Consort explores the Thomaskantor shortlist
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The Dunedin Consort explores the 1723 Thomaskantor shortlist: Georg Philipp Telemann, Christoph Graupner and Johann Sebastian Bach in a programme directed by John Butt.
Troubled times reflected in Songs of War I Have Seen
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Composed for Baroque and modern players with Gertrude Stein’s spoken text, Heiner Goebbels Songs of War I Have Seen in an intriguing performance conducted by Ellie Slorach.
An especially memorable Messiah from the Dunedin Consort
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John Butt directs the Dunedin Consort and a top team of soloists in St Mary's Cathedral for Handel's seasonal favourite.
Authenticity and enjoyment in Dunedin Consort's Acis and Galatea
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Rachel Redmond is a sweet voiced Galatea in the Dunedin Consort's performance of the Cannons version of Acis and Galatea in Perth.
Latest articles
Composition as learning: Cassandra Miller
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The Canadian composer talks about her working method, her interest in vocality, her guitar concerto for Sean Shibe and the Dunedin Consort, and whether she’s still trying to make audiences cry.