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Performer: Dunedin Consort

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LondonAngela Hewitt / Dunedin Consort

Wigmore Hall
Haydn, Bach C.P.E., Martines, Mozart
Angela Hewitt; Dunedin Consort

LondonDunedin Consort / John Butt

Wigmore Hall
Scheidt, Rosenmüller, Geist, Bach J. C., Böhm, Buxtehude, Theile, Schütz, Bach
John Butt; Dunedin Consort; Lucy Crowe; Joanna Songi; Sarah Anne Champion

EdinburghDunedin Consort

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Davies: Passion of Mary Magdalene
John Butt; Dunedin Consort; Anna Dennis; Marcus Farnsworth
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The Dunedin Consort Messiah remains a welcome seasonal speciality

Nardus Williams © Bertie Watson

The Dunedin Messiah, a speciality with Baroque instruments, is given with soloists Nardus Williams, Lotte Betts-Dean, Joshua Ellicott and Dingle Yandell in Perth, directed by John Butt.

****1
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Leipzig 300: Dunedin Consort explores the Thomaskantor shortlist

John Crockatt © Dunedin Consort
The Dunedin Consort explores the 1723 Thomaskantor shortlist:  Georg Philipp Telemann, Christoph Graupner and Johann Sebastian Bach in a programme directed by John Butt. 
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Troubled times reflected in Songs of War I Have Seen

Songs of War I Have Seen © RSNO

Composed for Baroque and modern players with Gertrude Stein’s spoken text, Heiner Goebbels Songs of War I Have Seen in an intriguing performance conducted by Ellie Slorach. 

***11
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An especially memorable Messiah from the Dunedin Consort

Helen Charlston © Benjamin Ealovega

John Butt directs the Dunedin Consort and a top team of soloists in St Mary's Cathedral for Handel's seasonal favourite. 

*****
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Authenticity and enjoyment in Dunedin Consort's Acis and Galatea

Rachel Redmond is a sweet voiced Galatea in the Dunedin Consort's performance of the Cannons version of Acis and Galatea in Perth. 

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Evangelical fervour: Dunedin Consort's St Matthew Passion

Tenor Nicholas Mulroy directs a one-voice-to-a-part account of Bach's St Matthew Passion, featuring some splendid singing. 
***11
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Composition as learning: Cassandra Miller

Cassandra Miller © Benjamin Ealovega
The Canadian composer talks about her working method, her interest in vocality, her guitar concerto for Sean Shibe and the Dunedin Consort, and whether she’s still trying to make audiences cry.