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ParísHans van Manen & Dutch National Ballet
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Beethoven, Bach, Britten, Piazzolla
Hans van Manen; Dutch National Ballet
ÁmsterdamRomeo and Juliet
Prokofiev: Romeo y Julieta
Rudi van Dantzig; Dutch National Ballet; Koen Kessels; Toer van Schayk; Jan Hofstra
ÁmsterdamThe Maid of OrleansNueva producción
Chaikovskiï: The Maid of Orleans
Valentin Uryupin; Dmitri Tcherniakov; Dutch National Opera; Elena Zaytseva; Gleb Filshtinsky; Netherlands Philharmonic Orchestra
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Concienzuda limpieza de Il viaggio a Reims
La divertida escena de el director Michieletto, la expresiva direcci&oaccuten de Stefano Montanari y el estiloso canto de un reparto puramente rossiniano nos llevan a fascinante nueva producción de la poco frecuente Il viaggio a Reims en la De Nationale Opera.
Überragende Frau ohne Schatten in Amsterdam
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Marc Albrechts und Katie Mitchell machen Richard Strauss‘ Märchenoper zum rasant-schockenden Sci-Fi-Thriller.
Collaborations and world premieres: Opera Forward Festival
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Two world premieres at Dutch National Opera speak to what have traditionally been two separate audiences: the audience within the opera house and the one without.
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ÁmsterdamBoris GodunovNueva producción
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Musorgskiï: Boris Godunov
Vasily Petrenko; Kirill Serebrennikov; Dutch National Opera; Nadia Kucher; Royal Concertgebouw Orchestra
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Elena Stikhina über Salzburg, Tosca und die Realität des Sängerlebens
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Die Sopranistin Elena Stikhina ist an allen großen Opernhäusern der Welt gefragt. Isabella Steppan trifft sie in Salzburg, um mit ihr über die Rolle der Tosca zu sprechen, die sie derzeit in Amsterdam und Wien singt, und über die Realität des Sängerlebens.
Dreams and documentaries: opera world premieres
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We preview nine major new operas on stage this season in Europe, from composers including Unsuk Chin, Rebecca Saunders, Mark-Anthony Turnage, Philip Venables and Toshio Hosokawa.
State of the (operatic) union: notes from Opera Europa
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Audiences, energy prices, politics, sustainability... With nearly 400 opera executives assembled in Copenhagen, the Opera Europa autumn conference was the ideal venue to take the temperature of the opera industry.