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Intérprete: George Balanchine

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LondresRhythm Riot – English National Ballet

© Jason Bell
Stravinsky, Vasks, Tru
George Balanchine; Jae Man Joo; Micaela Taylor; English National Ballet; Thomas Mika; Mark Henderson; English National Ballet Philharmonic

ToulouseMaîtres américains

© David Herrero
Hindemith, Adams
George Balanchine; Peter Martins; Ballet de l'Opéra national du Capitole; Michael Balke; Mark Stanley

PragaWho cares?

Prague National Theatre
Brahms, Gershwin
George Balanchine; The Czech National Ballet; Václav Zahradník; Francois-Noël Cherpin; Jan Beneš; Prague State Opera Orchestra

MadridCompañía Nacional de Danza

© No credit
Chaikovskiï, Ravel, Willems
George Balanchine; Jacopo Godani; William Forsythe; Compañía Nacional de Danza; Manuel Coves; Barbara Karinska

ParísJoyaux

© Julien Benhamou | OnP
Fauré, Stravinsky, Chaikovskiï
George Balanchine; Ballet de l'Opéra de Paris; Danseurs et danseuses étoiles du Ballet de l'Opéra national de Paris; Alondra de la Parra; Alizé Léhon; Christian Lacroix

BarcelonaNumEros

© Compañía Nacional de Danza
Chaikovskiï, Ravel, Various
George Balanchine; Jacopo Godani; William Forsythe; Compañía Nacional de Danza; Daniel Capps; Orquesta Sinfónica del Gran Teatre del Liceu; Gustavo Díaz-Jerez
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El ballet neoclásico viste de gala al Teatro Real:

Un reducido número de integrantes del Ballet de l’Opéra National de Paris ha presentado en el Real un programa de obras cortas y han danzado más allá de la técnica, mostrando el cuerpo que siente el movimiento y baila.

Europe invades: Paris Opera étoiles in New York

Hugo Marchand and Béjart Ballet Lausanne in Béjart’s Boléro © Steven Pisano
Hugo Marchand curated and performed in an essentially French mixed bill along with Dorothée Gilbert, Léonore Baulac and Germain Louvet from Paris Opéra and the excellent ensemble of Béjart Ballet Lausanne. 

Palermo celebrates through repertoire, tango and contemporary visions

Corpo di ballo del Teatro Massimo in Contact Tango © Rosellina Garbo
A wonderful evening of contrasting works shows the company and guests in fine form at Palermo’s Teatro Massimo.

Thunder and lightning in Spoleto can’t compete with on-stage fireworks

Roman Mejia and Tiler Peck in George Balanchine’s Tarantella © Damiano Mongelli
An evening of sublime dancing, the Festival of Two Worlds in Spoleto, presented a Dance Marathon of electric performances, supreme quality and memories to cherish.

Birmingham Royal Ballet: a sparkling and sobering close to the season

Birmingham Royal Ballet in Sir Frederick Ashton’s Birthday Offering © Johan Persson
Birmingham Royal Ballet (BRB) close their 25/26 season with an ambitious triple bill running for just four performances on their home turf at the Birmingham Hippodrome.

Royal Ballet School, School of American Ballet: the future is bright

The Royal Ballet School in Ninette de Valois’ The Arts of the Theatre © THe Royal Ballet School. Photographed by Rachel Cherry
An evening of outstanding dancing from the Royal Ballet School and the School of American Ballet. It was a case of spotting tomorrow’s stars in a beautifully balanced programme.
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ParísGeorge Balanchine / Ballet Impérial – Who Cares?

Who Cares? par le Ballet de l'Opéra de Paris © Agathe Poupeney / Opéra national de Paris
Chaikovskiï, Gershwin
George Balanchine; Ballet de l'Opéra de Paris; Mikhail Agrest; Xavier Ronze; Mark Stanley; Orchestre de l'Opéra national de Paris

ParísLe Songe d'une Nuit d'Eté

© Agathe Poupeney | OnP
Mendelssohn: A Midsummer Night's Dream
George Balanchine; Ballet de l'Opéra de Paris; Simon Hewett; Christian Lacroix; Jennifer Tipton

ParísLe Palais de Cristal / Daphnis et Chloé

© LIttle Shao | OnP
Bizet, Ravel
George Balanchine; Benjamin Millepied; Ballet de l'Opéra de Paris; Philippe Jordan; Daniel Buren; Christian Lacroix; Madjid Hakimi
Latest articles

Dreams of Greece: Ravel’s first ballet Daphnis et Chloé

Léon Bakst: costume designs for Daphnis et Chloé © Public domain | Bibliothèque nationale de France
Ravel’s first ballet Daphnis et Chloé is an overwhelming sensory experience – but its birth as a production choreographed by Mikhail Fokine for the Ballets Russes was not without complications...

Choreographing Stravinsky: Balanchine and the Violin Concerto

Lesley Rausch and Jerome Tisserand in Aria I © Pacific Northwest Ballet
An exploration of the two central movements – a pair of contrasting pas de deux – in Balanchine's black-and-white masterpiece, Stravinsky Violin Concerto

La música de Stravinsky acaricia a Terpsícore

Reconstrucción de Millicent Hodson de Le Sacre du printemps en el Teatro Mariinsky © Natasha Razina | State Academic Mariinsky Theatre
Repasamos la fructífera relación creativa entre Igor Stravinsky y Serguéi Diaghilev y las distintas creaciones del compositor para la compañía Les Ballets Russes.