En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | George Balanchine

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Madrid

26 ene 2019

El ballet neoclásico viste de gala al Teatro Real:

Por Cintia Borges Carreras

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Ámsterdam

Dutch National's Junior Company sets ballet to new rhythms with Ballet Beats

Por Mark Vicente, 23 enero 2026

The Dutch National's Junior company dazzled in three new works and a Balanchine classic, showcasing the stars of tomorrow.

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Ámsterdam

23 ene 2026

Dutch National's Junior Company sets ballet to new rhythms

Por Mark Vicente

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New York City Ballet: Balanchine + Ratmansky program warms the audience

Por Ivy Lin, 20 enero 2026

NYCB has a winning triple bill with its Balanchine + Ratmansky program. Excellent dancing and contrasting works sends the audience home in buoyant mood.

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Nueva York

20 ene 2026

NYCB: Balanchine + Ratmansky program warms the audience

Por Ivy Lin

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The Royal Ballet in Perspectives: a diverse and challenging triple bill

Por Amanda Jennings, 14 noviembre 2025

The Royal Ballet presents a triple bill of diverse works including one world premiere and one UK premiere. As per usual, the supreme roster of dancers tackles each with aplomb.

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Londres

14 nov 2025

The Royal Ballet in Perspectives: a diverse and challenging triple

Por Amanda Jennings

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ABT's Theme and Variations delivers star quality performances

Por Ivy Lin, 30 octubre 2025

American Ballet Theatre presented a well balanced program of Nuñes, Ratmansky and Balanchine which produced some revelatory performances.

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Nueva York

30 oct 2025

ABT's Theme and Variations delivers star quality performances

Por Ivy Lin

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París

Les « Racines » inégales du Ballet de l’Opéra de Paris à Bastille

Por Laurine Mortha, 06 octubre 2025

Entre une pièce des années 1950 de Balanchine et les deux créations récentes des chorégraphes Mthuthuzeli November et Christopher Wheeldon, le programme mixte néo-classique produit un effet mitigé.

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París

06 oct 2025

Les « Racines » inégales du Ballet de l’Opéra de Paris à Bastille

Por Laurine Mortha

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ENB: R:Evolution at Sadler’s Wells showcases tenacity, legacy and talent

Por Deborah Weiss, 01 octubre 2025

English National Ballet opens its season at Sadler’s Wells with a quadruple bill showcasing the versatility, virtuosity and endless capabilities of the company throughout the ranks.

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Londres

01 oct 2025

ENB: R:Evolution showcases tenacity, legacy and talent

Por Deborah Weiss

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Contrasting splendors at New York City Ballet: Robbins and Balanchine

Por Carla Escoda, 30 septiembre 2025

A sublime Robbins-Balanchine pairing at New York City Ballet, it was Robbins’ Goldberg Variations that came off best.

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Nueva York

30 sep 2025

Contrasting splendors at New York City Ballet: Robbins and Balanchine

Por Carla Escoda

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Savoring the glories of a timeless all-Balanchine program with NYCB

Por Carla Escoda, 17 septiembre 2025

NYCB's triple bill that harks back to the 1950s proves a love letter to an America that never was.

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Nueva York

17 sep 2025

Savoring the glories of a timeless all-Balanchine program with NYCB

Por Carla Escoda

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Pleasant but bland New York City Ballet fall season opener

Por Ivy Lin, 16 septiembre 2025

A slightly under par opening night at New York City Ballet but nevertheless, some strong individual performances.

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Nueva York

16 sep 2025

Pleasant but bland New York City Ballet fall season opener

Por Ivy Lin

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London City Ballet’s Momentum: a scintillating mix of old and new

Por Amanda Jennings, 13 septiembre 2025

Christopher Marney has once again brought together a group of outstanding dancers, superb coaches and brilliant choreography to produce an evening of thoroughly absorbing dance.

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Londres

13 sep 2025

London City Ballet’s Momentum: a scintillating mix of old and new

Por Amanda Jennings

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Atlanta

Atlanta Ballet showcases impressive range in Balanchine & Peck program

Por Rebecca Ehrhardt, 13 septiembre 2025

Atlanta Ballet began its season with a mixed bill which amply demonstrated the versatility and capabilities throughout all the ranks of the company.

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Atlanta

13 sep 2025

Atlanta Ballet showcases impressive range in Balanchine & Peck program

Por Rebecca Ehrhardt

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Paris Opera Junior Ballet: a plethora of emerging talent

Por Deborah Weiss, 19 junio 2025

A very welcome visit from the Paris Opera Junior Ballet to the Linbury Theatre displays the company in a very favourable light, in a variety of works.

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Londres

19 jun 2025

Paris Opera Junior Ballet: a plethora of emerging talent

Por Deborah Weiss

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ABT Studio Company: high technical standards and unfailingly charming

Por Amanda Jennings, 10 junio 2025

American Ballet Theatre Studio Company showcase the talents of its youthful dancers in a diverse and demanding programme at the Linbury.

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Londres

10 jun 2025

ABT Studio Company: high technical standards and unfailingly charming

Por Amanda Jennings

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New York City Ballet: Midsummer comes early, uneven yet thrilling

Por Carla Escoda, 27 mayo 2025

Balanchine's much-loved yet maddeningly disjointed A Midsummer Night's Dream returns to New York City Ballet. Some glorious performances on opening night, some uneven. But the night belonged to the bugs.

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Nueva York

27 may 2025

New York City Ballet: Midsummer comes early, uneven yet thrilling

Por Carla Escoda

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NYCB's Andrew Veyette passes the torch with grace

Por Ivy Lin, 25 mayo 2025

A joyful, very gracious finale for a highly respected and loved principal dancer at NYCB. Andrew Veyette bows out with dignity and humility.

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Nueva York

25 may 2025

NYCB's Andrew Veyette passes the torch with grace

Por Ivy Lin

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Falling for Kyle Abraham, again, at New York City Ballet

Por Carla Escoda, 16 mayo 2025

When We Fell, Kyle Abraham’s bracing new piece for NYCB, made a minimalist statement on a maximalist quadruple bill, also notable for stunning ensemble work in Alexei Ratmansky's Odesa.

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Nueva York

16 may 2025

Falling for Kyle Abraham, again, at New York City Ballet

Por Carla Escoda

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NYCB: some great debuts in All Ravel program

Por Ivy Lin, 15 mayo 2025

NYCB presents five short pieces to the music of Maurice Ravel in a bill that showed off some promising debuts.

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Nueva York

15 may 2025

NYCB: some great debuts in All Ravel program

Por Ivy Lin

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New York City Ballet dancers revel in a double scoop of Robbins

Por Carla Escoda, 01 mayo 2025

Two masterworks by Jerome Robbins, Brandenburg and A Suite of Dances, are joined by Wheeldon's steamy After the Rain and Ratmansky's Paquita challenge.

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Nueva York

01 may 2025

New York City Ballet dancers revel in a double scoop of Robbins

Por Carla Escoda

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NYCB's program of contrasts makes a full-course meal

Por Ivy Lin, 26 abril 2025

A wonderfully varied triple bill for NYCB allowing the company to shine across all ranks.

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Nueva York

26 abr 2025

NYCB's program of contrasts makes a full-course meal

Por Ivy Lin

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Monaco

Balanchine, Ratmansky, Goecke: contrasting brilliance in Monte Carlo

Por Deborah Weiss, 23 abril 2025

In a triple bill of contrasting choreography, Les Ballets de Monte-Carlo tackle everything with aplomb.

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Monaco

23 abr 2025

Balanchine, Ratmansky, Goecke: contrasting brilliance in Monte Carlo

Por Deborah Weiss

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New York City Ballet, interrupted

Por Carla Escoda, 22 abril 2025

Opening New York City Ballet's spring season, a quadruple bill of major and minor Balanchine eventually proceeded after protestors infiltrated the Koch Theater and created a diversion.

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Nueva York

22 abr 2025

New York City Ballet, interrupted

Por Carla Escoda

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Dance Theatre of Harlem: from soulful to vertiginous

Por Carla Escoda, 10 abril 2025

At the New York City Center, where founder Arthur Mitchell became a star, Dance Theatre of Harlem delivered a diverse program of works by Balanchine, Forsythe, Garland and Jodie Gates.

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Nueva York

10 abr 2025

Dance Theatre of Harlem: from soulful to vertiginous

Por Carla Escoda

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The Royal Ballet’s tribute to Balanchine: superb programming, sublime dancing

Por Deborah Weiss, 28 marzo 2025

A triple bill of works by Balanchine shows off both the dancers’ versatility and his own wide ranging skills as a choreographer.

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Londres

28 mar 2025

A tribute to Balanchine: superb programming, sublime dancing

Por Deborah Weiss

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Wheeldon transcendent in a joyful triple bill at NYCB

Por Carla Escoda, 12 febrero 2025

A winning mixed bill at New York City Ballet, featuring three stylistically and conceptually very different works, yielded many gems.

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Nueva York

12 feb 2025

Wheeldon transcendent in a joyful triple bill at NYCB

Por Carla Escoda

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Maria Tallchief celebration honors her contributions

Por Ivy Lin, 05 febrero 2025

Last night’s New York City Ballet program gave you an idea of Tallchief’s versatility and depth in a fitting tribute to her great talent.

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Nueva York

05 feb 2025

Maria Tallchief celebration honors her contributions

Por Ivy Lin

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Art stands out: Wheeldon, Balanchine and a Justin Peck world premiere

Por Carla Escoda, 29 enero 2025

Scenic designs left the most lasting impressions of a mixed bill at New York City Ballet featuring a world premiere by Justin Peck.

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Nueva York

29 ene 2025

Art stands out: Wheeldon, Balanchine and a Justin Peck world premiere

Por Carla Escoda

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Alexa Maxwell's Novice leads an excellent All Stravinsky program

Por Ivy Lin, 22 enero 2025

The whole evening had an excellence across four ballets that is a rare occasion. And it had a sui generis portrayal in Alexa Maxwell’s Novice. I would highly recommend seeing this program.

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Nueva York

22 ene 2025

Alexa Maxwell's Novice leads an excellent All Stravinsky program

Por Ivy Lin

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All Balanchine I tackles the Brahms-Schoenberg Quartet "problem"

Por Ivy Lin, 21 enero 2025

Brahms-Schoenberg Quartet comes across as a work with fragments of greatness rather than a masterpiece but the rest of the evening offers sheer brilliance.

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Nueva York

21 ene 2025

All Balanchine I tackles the Brahms-Schoenberg Quartet "problem"

Por Ivy Lin

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Balanchine's Nutcracker makes you believe in Christmas

Por Ivy Lin, 12 diciembre 2024

The best performances of Balanchine’s Nutcracker are always the SAB children. Year after year, they capture not just the steps but the emotions behind Nutcracker.

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Nueva York

12 dic 2024

Balanchine's Nutcracker makes you believe in Christmas

Por Ivy Lin

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Kingdom of the Shades is a company's ultimate test

Por Ivy Lin, 27 octubre 2024

Artistic Director, Susan Jaffe, reviving the Kingdom of the Shades for ABT’s Fall Season was both a testament to her trust in her company, and also a test.

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Nueva York

27 oct 2024

Kingdom of the Shades is a company's ultimate test

Por Ivy Lin

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American Ballet Theatre captivates in a thrilling triple bill

Por Ivy Lin, 20 octubre 2024

Just as there can never be a bad performance of Serenade, there are no bad performances of In the Upper Room. It practically dances itself.

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Nueva York

20 oct 2024

American Ballet Theatre captivates in a thrilling triple bill

Por Ivy Lin

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Oslo

Norwegian National Ballet dazzles in Balanchine's Jewels

Por Graham Watts, 05 octubre 2024

A first rate account of George Balanchine's Jewels from exquisite dancing and music, to tremendous staging.

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Oslo

05 oct 2024

Norwegian National Ballet dazzles in Balanchine's Jewels

Por Graham Watts

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Balanchine’s Coppélia: 50 years strong

Por Ivy Lin, 29 septiembre 2024

Coppélia is a gift from Balanchine and Danilova to classical ballet, in this 50th anniversary revival.

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Nueva York

29 sep 2024

Balanchine’s Coppélia: 50 years strong

Por Ivy Lin

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Mira Nadon's Monumentum pro Gesualdo and Movements stuns

Por Ivy Lin, 25 septiembre 2024

It was a remarkable performance and (unusual for Monumentum pro Gesualdo and Movements for Piano and Orchestra) led to a loud, prolonged ovation at the curtain call.

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Nueva York

25 sep 2024

Mira Nadon's Monumentum pro Gesualdo and Movements stuns

Por Ivy Lin

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Balanchine's Baiser de la fée still doesn't work

Por Ivy Lin, 19 septiembre 2024

Divertimento from Le Baiser de la fée is revived infrequently. It is an odd ballet, as if Balanchine’s couldn’t quite resolve his troubles choreographing to this piece.

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Nueva York

19 sep 2024

Balanchine's Baiser de la fée still doesn't work

Por Ivy Lin

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NYCB fall opener: like Westworld!

Por Ivy Lin, 17 septiembre 2024

Piano Concerto #2 dominated this program and as the closer, would have sent everyone home happy.

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Nueva York

17 sep 2024

NYCB fall opener: like Westworld!

Por Ivy Lin

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Becket

Dance Theatre of Harlem pushes the boundaries of ballet

Por Gillian Ebersole, 24 agosto 2024

Dance Theatre of Harlem feels poised to forge ahead to a new era, all while bringing together its knowledge and legacy from the past half century.

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Becket

24 ago 2024

Dance Theatre of Harlem pushes the boundaries of ballet

Por Gillian Ebersole

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Ballet Hispánico, Ailey, ABT, NYCB and Dance Theatre of Harlem go toe-to-toe

Por Carla Escoda, 30 julio 2024

Five of the best-known dance companies based in New York City have united for a weeklong program every summer since COVID. This year they shared a stage but stuck to their own rep.

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Nueva York

30 jul 2024

BAAND Together Dance Festival: five major companies go toe-to-toe

Por Carla Escoda

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Düsseldorf

A goodbye gala: Demis Volpi leaves Ballett am Rhein with his Favourite Things

Por Vikki Jane Vile, 07 julio 2024

As we reached the end of season gala, Ballett am Rhein offered up a selection of highlights from the past four seasons in celebration of outgoing Artistic Director, Demis Volpi.

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Düsseldorf

07 jul 2024

Demis Volpi leaves Ballett am Rhein with his Favourite Things

Por Vikki Jane Vile

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A Midsummer's Night Dream never goes out of season

Por Ivy Lin, 29 mayo 2024

New York City Ballet dancing Balanchine's A Midsummer Night's Dream is the happiest way to end a long season.

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Nueva York

29 may 2024

A Midsummer's Night Dream never goes out of season

Por Ivy Lin

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Kansas City

Kansas City Ballet in Jewels: ballet for ballet's sake

Por Hilary Stroh, 10 mayo 2024

Balanchine's Jewels for the Kansas City Ballet is a very pleasing way to end the season.

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Kansas City

10 may 2024

Kansas City Ballet in Jewels: ballet for ballet's sake

Por Hilary Stroh

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NYCB Spring Gala: two appealing world premieres

Por Ivy Lin, 02 mayo 2024

Underneath, There Is Light was soothing, expansive and uplifting. One could see it becoming a regularly revived work.

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Nueva York

02 may 2024

NYCB Spring Gala: two appealing world premieres

Por Ivy Lin

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In their 75th anniversary year, a welcome return to London by dancers from New York City Ballet

Por Amanda Jennings, 07 marzo 2024

An intermittently sparkling evening culminates in a thrilling explosion of art.

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Londres

07 mar 2024

In their 75th anniversary year, New York City Ballet return to London

Por Amanda Jennings

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Ratmansky’s Solitude illuminates wartime tragedy

Por Carla Escoda, 15 febrero 2024

Alexei Ratmansky’s poignant and gripping new work breaks ground at New York City Ballet in a powerful triple bill.

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Nueva York

15 feb 2024

Ratmansky’s Solitude illuminates wartime tragedy

Por Carla Escoda

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New York City Ballet Goes Four for Four

Por Carla Escoda, 09 febrero 2024

One minor Balanchine, elevated by commanding performances; a rare Albert Evans; Peter Martins at his most compelling and Jerome Robbins at his funniest.

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Nueva York

09 feb 2024

New York City Ballet Goes Four for Four

Por Carla Escoda

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NYCB: All Balanchine program felled by miscasting

Por Ivy Lin, 06 febrero 2024

An uneven performance with mishaps and mis-pairings, yet still offering some outstanding individual interpretations.

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Nueva York

06 feb 2024

NYCB: All Balanchine program felled by miscasting

Por Ivy Lin

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Oslo

Norwegian National Ballet: a showstopping triple bill

Por Graham Watts, 03 febrero 2024

An adventurous triple bill of vintage works new to Norway.

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Oslo

03 feb 2024

Norwegian National Ballet: a showstopping triple bill

Por Graham Watts

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ABT's Ballet Imperial/The Dream: a weak start but a triumphant end

Por Ivy Lin, 21 octubre 2023

The Dream is such a crowdpleaser that one wishes ABT would do this more often in their Met season, but Ballet Imperial needed more time to relax into.

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Nueva York

21 oct 2023

ABT's Ballet Imperial/The Dream: a weak start but a triumphant end

Por Ivy Lin

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NYCB: Ballets that dance themselves?

Por Ivy Lin, 13 octubre 2023

The final performance at NYCB’s fall season was the best one. One has to have just pure admiration for this company, its dancers, its history, its future.

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