Performer: George Balanchine

American Ballet Theatre’s fall season continues with its Neoclassical Works program, featuring works by Sir Frederick Ashton, Kyle Abraham and George Balanchine. 

A stirring but not overly sentimental program curated by Adrian Danchig-Waring for his farewell performance included a striking new work by Pam Tanowitz, two towering Balanchine works and a Lar Lubovitch duet. 

An interesting mix of rarely seen and frequently revived Balanchine ballets at New York City Ballet.

NYCB delivers first rate performances of three contrasting masterpieces from George Balanchine and Jerome Robbins in Masters at Work I.

In Rhythm Riot, English National Ballet presents a triple bill joined together in quality and contrast like matching pieces of a jigsaw.

Despite its gaudy sets and stretches of ho-hum choreography, Balanchine’s Jewels remains a triumph for New York City Ballet. 

Ravel’s first ballet Daphnis et Chloé is an overwhelming sensory experience – but its birth as a production choreographed by Mikhail Fokine for the Ballets Russes was not without complications...

An exploration of the two central movements – a pair of contrasting pas de deux – in Balanchine's black-and-white masterpiece, Stravinsky Violin Concerto. 

We look at the fruitful creative relationship between Igor Stravinsky and Sergey Diaghilev and the composer's various creations for the company Les Ballets Russes.