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Londres‘Ariadne auf Naxos’ from GlyndebourneVersión semiescenificada
Strauss R.: Ariadne auf Naxos
Robin Ticciati; Glyndebourne Festival Opera; London Philharmonic Orchestra; Rachel Willis-Sørensen; David Butt Philip; Samantha Hankey
GlyndebourneIl turco in Italia
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Rossini: Il turco en Italia
Bertie Baigent; Mariame Clément; Glyndebourne Festival Opera; Jack Gonzalez-Harding; Julia Hansen; Bernd Purkrabek
GlyndebourneBilly Budd
Britten: Billy Budd
Nicholas Carter; Michael Grandage; Glyndebourne Festival Opera; Christopher Oram; Paule Constable; London Philharmonic Orchestra
GlyndebourneL’OrfeoNueva producción
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Monteverdi: L'Orfeo (Orpheus), SV318
Jonathan Cohen; William Kentridge; Glyndebourne Festival Opera; Sabine Theunissen; Greta Goiris; Urs Schönebaum; Orchestra of the Age of Enlightenment
GlyndebourneAriadne auf NaxosNueva producción
Strauss R.: Ariadne auf Naxos
Robin Ticciati; Laurent Pelly; Glyndebourne Festival Opera; Massimo Troncanetti; Marco Giusti; London Philharmonic Orchestra
GlyndebourneDie Entführung aus dem Serail (The Abduction from the Harem)
Mozart: El rapto en el serrallo (Die Entführung aus dem Serail)
Evan Rogister; Sir David McVicar; Glyndebourne Festival Opera; Vicki Mortimer; Paule Constable; Orchestra of the Age of Enlightenment
Últimas críticasVer más...
L’Orfeo, the world’s first great opera, premieres at Glyndebourne
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One element of the Orpheus myth is about creativity, so at Glyndebourne, William Kentridge sets Monteverdi’s opera in an artist's studio,
A deli-cious revival of Rossini’s Il turco in Italia at Glyndebourne
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Mariame Clément’s production of Rossini's meta comedy is tightly revived with some excellent singing. Come for the writing tips, stay for the cured meats.
Glyndebourne’s first Tosca: vocally strong but imperfect
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Ted Huffman brings some interesting ideas to his first Glyndebourne production. Excellent singing is let down by indifferent physical acting.
Glyndebourne revives Michieletto’s Kátya Kabanová
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Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.
All the world’s a jest: Falstaff returns to Glyndebourne
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Richard Jones' 2009 production returns to Glyndebourne after a long absence, but the 1940s comedy scrubs up fresh.
A strong new Figaro opens at Glyndebourne
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Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.
Latest articles
April De Angelis and Jonathan Dove about Flight
The composer and librettist of one of the most successful contemporary operas tell us about its creation.
Beethoven’s “problem child”: staging Fidelio
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We speak to three directors – Amélie Niermeyer, Tobias Kratzer and Frederic Wake-Walker – about the challenges of staging Beethoven's only opera.
Opera Festival highlights for Summer 2018
Country opera house picnics, floating stages and opera under the French stars. Our 2018 opera festivals guide has something for everyone!