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Londres‘Ariadne auf Naxos’ from GlyndebourneVersion semi-scénique
Strauss R.: Ariadne auf Naxos
Robin Ticciati; Glyndebourne Festival Opera; London Philharmonic Orchestra; Rachel Willis-Sørensen; David Butt Philip; Samantha Hankey
GlyndebourneAriadne auf NaxosNouvelle production
Strauss R.: Ariadne auf Naxos
Robin Ticciati; Laurent Pelly; Glyndebourne Festival Opera; Massimo Troncanetti; Marco Giusti; London Philharmonic Orchestra
GlyndebourneL’OrfeoNouvelle production
Monteverdi: L'Orfeo (Orphée), SV318
Jonathan Cohen; William Kentridge; Glyndebourne Festival Opera; Sabine Theunissen; Greta Goiris; Urs Schönebaum; Orchestra of the Age of Enlightenment
GlyndebourneBilly Budd
Britten: Billy Budd
Nicholas Carter; Michael Grandage; Glyndebourne Festival Opera; Christopher Oram; Paule Constable; London Philharmonic Orchestra
GlyndebourneDie Entführung aus dem Serail (The Abduction from the Harem)
Mozart: Die Entführung aus dem Serail (L'Enlèvement au sérail)
Evan Rogister; Sir David McVicar; Glyndebourne Festival Opera; Vicki Mortimer; Paule Constable; Orchestra of the Age of Enlightenment
GlyndebourneToscaNouvelle production
Puccini: Tosca
Jordan de Souza; Ted Huffman; Glyndebourne Festival Opera; Nadja Sofie Eller; Astrid Klein; DM Wood; London Philharmonic Orchestra
Critiques récentesEn voir plus...
Passion without the fireworks: Ariadne auf Naxos at Glyndebourne
Pelly’s low-level intervention leaves the audience marooned at the end of his new production of Strauss and Hofmannsthal’s operatic divertissement.
Billy Budd makes a welcome return to Glyndebourne
Michael Grandage’s production shows no signs of age, with fine central performances from Thomas Mole, Allan Clayton and Sam Carl, and fine playing from the London Philharmonic Orchestra.
L’Orfeo, the world’s first great opera, premieres at Glyndebourne
One element of the Orpheus myth is about creativity, so at Glyndebourne, William Kentridge sets Monteverdi’s opera in an artist's studio,
A deli-cious revival of Rossini’s Il turco in Italia at Glyndebourne
Mariame Clément’s production of Rossini's meta comedy is tightly revived with some excellent singing. Come for the writing tips, stay for the cured meats.
Glyndebourne’s first Tosca: vocally strong but imperfect
Ted Huffman brings some interesting ideas to his first Glyndebourne production. Excellent singing is let down by indifferent physical acting.
Glyndebourne revives Michieletto’s Kátya Kabanová
Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.
Articles récents
April De Angelis and Jonathan Dove about Flight
The composer and librettist of one of the most successful contemporary operas tell us about its creation.
Beethoven’s “problem child”: staging Fidelio
We speak to three directors – Amélie Niermeyer, Tobias Kratzer and Frederic Wake-Walker – about the challenges of staging Beethoven's only opera.
Opera Festival highlights for Summer 2018
Country opera house picnics, floating stages and opera under the French stars. Our 2018 opera festivals guide has something for everyone!