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Glyndebourne revives Michieletto’s Kátya Kabanová
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Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.
All the world’s a jest: Falstaff returns to Glyndebourne
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Richard Jones' 2009 production returns to Glyndebourne after a long absence, but the 1940s comedy scrubs up fresh.
A strong new Figaro opens at Glyndebourne
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Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.
Articles récents
April De Angelis and Jonathan Dove about Flight
The composer and librettist of one of the most successful contemporary operas tell us about its creation.
Opera Festival highlights for Summer 2018
Country opera house picnics, floating stages and opera under the French stars. Our 2018 opera festivals guide has something for everyone!