Intérprete: Harry Christophers

La fama de Handel, vinculada habitualmente con el Mesías, su hito más sobresaliente, no debe conducir a un olvido del resto de oratorios que nutren su catálogo, en el que, según pudimos atestiguar anoche, Israel en Egipto también merece un lugar privilegiado.

Large ecclesiastical buildings, with their hard surfaces and long high naves, are challenging for complex music like Bach’s.

Harry Christophers and The Sixteen refresh their choral pilgrimage with works old and new, that show innovative programming at its imaginative best. 

The Sixteen offer glorious tones, smooth polyphonic lines and vivid word paintings at the National Concert Hall. 

The Sixteen’s work is spoilt by a shortage of violins and some uneven solo contributions. Such imperfections only serve to highlight the excellence of the very best. 

The latest instalment of Kings Place's “Sound Unwrapped” series delivers wonderful musicianship in both jazz and early music, but not the promised “continuous fusion of styles”.