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BudapestBest of Puccini
Puccini
Gergely Madaras; Attila Toronykőy; Opéra d'État hongrois; István Dénes; Balázs Fügedi; Katalin Juhász; Tamás Pillinger
BudapestMahler: Symphony No. 8
Mahler: Symphonie no. 8 en mi bémol majeur « des Mille »
Orchestre de l'Opéra d'État hongrois; János Kovács; Zita Szemere; Lilla Horti; Zsuzsanna Kapi; Andrea Szántó
BudapestNew Year's at the Opera House
Beethoven, Haydn
Gábor Hontvári; Lilla Horti; Atala Schöck; István Kovácsházi; Krisztián Cser
BudapestBella – Almási: PassionCréation mondiale
Bella: Passion
Ádám Cser; András Almási-Toth; Opéra d'État hongrois; Lili Izsák; Orchestre de l'Opéra d'État hongrois; Chœurs de l'Opéra d'État hongrois; Botond Pál
BudapestWagner: ParsifalVersion de concert
Wagner: Parsifal
Péter Halász; Opéra d'État hongrois; Orchestre de l'Opéra d'État hongrois; Chœurs de l'Opéra d'État hongrois; Michele Kalmandy; Károly Szemerédy
BudapestBest of Puccini + Schicchi 2.0
Puccini
Orchestre de l'Opéra d'État hongrois; István Dénes; Attila Toronykőy; Balázs Fügedi; Katalin Juhász; Tamás Pillinger
Critiques récentesEn voir plus...
Musicians of Monsalvat: a new Parsifal opens Budapest’s Wagner Days
Birgit Kajtna-Wönig’s new semi-staging of Wagner's Bühnenweihfestspiel pays homage to Ádám Fischer's committed musical forces.
Commanding Götterdämmerung brings Müpa's Ring to a blazing end
With Iréne Theorin's Brünnhilde rejuvenated, the Ring receives a worthy finale at the Budapest Wagner Days.
A torrent of themes: Parsifal at Hungarian State Opera
In András Almási-Toth's engaging new production, magnificent orchestral and choral performances let Wagner's music do the talking.
A near-flawless cast in Das Rheingold in Budapest
Hartmut Schörghofer's updated concert staging receives strong singing from everyone and a thrilling orchestral performance.
Lack of emotional connection in Pique Dame
This double cast, nine-day revival of Vadim Milkov's staging of Pique Dame offers a relatively straight reading of Tchaikovsky's opera about the obsessive Pushkin-based character Herman. Embracing the opera's choral and dance passages, spectacle and pageantry are paramount; the drama's surreal and more nuanced dimensions could have been better profiled.