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Nueva YorkMacbethNueva producción
Verdi: Macbeth
Yannick Nézet-Séguin; Louisa Proske; Metropolitan Opera; Jon Bausor; Montana Levi Blanco; Adam Silverman; The Metropolitan Opera Orchestra
Nueva YorkCosì fan tutte
Mozart: Così fan tutte
Nimrod David Pfeffer; Phelim McDermott; Metropolitan Opera; Tom Pye; Laura Hopkins; Paule Constable; The Metropolitan Opera Orchestra
Nueva YorkLa bohème
Puccini: La bohème
Ramón Tebar; Franco Zeffirelli; Metropolitan Opera; Peter J. Hall; Gil Wechsler; The Metropolitan Opera Orchestra
Nueva YorkLincoln in the BardoEstreno absoluto
Mazzoli: Lincoln in the Bardo
Yannick Nézet-Séguin; Lileana Blain-Cruz; Metropolitan Opera; Steven Osgood; Adam Rigg; Montana Levi Blanco; Yi Zhao
Nueva YorkMedea
Cherubini: Médée/Medea
Carlo Rizzi; Sir David McVicar; Metropolitan Opera; Doey Lüthi; Paule Constable; The Metropolitan Opera Orchestra
Nueva YorkTosca
Puccini: Tosca
Oksana Lyniv; Sir David McVicar; Metropolitan Opera; John Macfarlane; David Finn; The Metropolitan Opera Orchestra
Últimas críticasVer más...
De la oscuridad a la luz y regreso
El estreno de Iolanta y El castillo de Barbazul, retrasado a causa de la nieve, abrió con un poderoso canto y una escena muy efectiva. Los roles principales en Iolanta destacaron por una interprtación muy bella, mientras que en El castillo de Barbazul sobresalió la ejecución de la orquesta del Met.
Federica Lombardi and Samantha Hankey shine in the Met’s Così revival
The Metropolitan Opera’s revival of Phelim McDermott’s bustling production combines circus-like hijinks with superb singing and acting from a fine cast.
Quinn Kelsey dazzles in the Met Opera’s new Macbeth
The American baritone delivers a career-defining performance of the title role in Louisa Proske’s post-apocalyptic setting of Verdi’s first Shakespearean opera, which opens the company’s new season.
The Met’s Frida y Diego proves visually stunning, musically thrilling
Deborah Colker and her design team create visually vibrant worlds for the Met’s new production of El último sueño de Frida y Diego, by Pulitzer Prize winner Gabriela Lena Frank.
Asmik Grigorian strengthens the Met’s revival of Eugene Onegin
The Lithuanian soprano’s riveting performance as the central character in Tchaikovsky’s operatic masterpiece lights up Deborah Warner’s mostly bland production.
Innocence: Saariaho’s final opera receives New York premiere
At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.
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Inside out and upside down: Opera world premieres 2026–27
This season, new operas are depositing characters in limbo between this life and the next – from Lincoln in Missy Mazzoli’s Lincoln in the Bardo, to Bassem Akiki’s supernatural retelling of the life of Mustafa Kemal Atatürk.
The crisis facing US classical music: Douglas McLennan
Longtime music journalist and founder of ArtsJournal talks about the multiple crises facing orchestras and arts organisations in the United States, amid the damage wrought by the second Trump administration.
Ein wahrer Alleskönner: Michael Spyres über Wien, Tristan und Verdi
Chanda VanderHart spricht mit dem amerikanischen Tenor über sein Tristan-Debüt an der Met, seine Liebe zu Wien und Otto Schenk und die unglaubliche Bandbreite seines Repertoires.