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Nueva YorkEugene Onegin
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Chaikovskiï: Eugene Onegin
Timur Zangiev; Deborah Warner; Metropolitan Opera; Tom Pye; Chloe Obolensky; Jean Kalman; The Metropolitan Opera Orchestra
Nueva YorkInnocenceNueva producción
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Saariaho: Innocence
Susanna Mälkki; Simon Stone; Metropolitan Opera; Chloe Lamford; Mel Page; James Farncombe; The Metropolitan Opera Orchestra
Nueva YorkLa bohème
Puccini: La bohème
TBC; Franco Zeffirelli; Metropolitan Opera; Karel Mark Chichon; Peter J. Hall; Gil Wechsler
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De la oscuridad a la luz y regreso
El estreno de Iolanta y El castillo de Barbazul, retrasado a causa de la nieve, abrió con un poderoso canto y una escena muy efectiva. Los roles principales en Iolanta destacaron por una interprtación muy bella, mientras que en El castillo de Barbazul sobresalió la ejecución de la orquesta del Met.
Asmik Grigorian strengthens the Met’s revival of Eugene Onegin
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The Lithuanian soprano’s riveting performance as the central character in Tchaikovsky’s operatic masterpiece lights up Deborah Warner’s mostly bland production.
Innocence: Saariaho’s final opera receives New York premiere
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At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.
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Ein wahrer Alleskönner: Michael Spyres über Wien, Tristan und Verdi
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Chanda VanderHart spricht mit dem amerikanischen Tenor über sein Tristan-Debüt an der Met, seine Liebe zu Wien und Otto Schenk und die unglaubliche Bandbreite seines Repertoires.
Nadine Sierra reclaims her narrative
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Fresh out of her triumphant appearance in La sonnambula at the Met, soprano Nadine Sierra talks about being on a turning point in her career.
Taking another fearless leap: Sonya Yoncheva
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“I don't fear anything!” Sonya Yoncheva discusses her career, from leaping from the Castel Sant’Angelo as Tosca to preparing a new Iolanta in Vienna, and setting up her own production company.