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Artiste: Metropolitan Opera

Événements à venirEn voir plus...

New York CityAidaNew production

Verdi: Aida
Yannick Nézet-Séguin; Michael Mayer; Metropolitan Opera; John Keenan; Christine Jones; Susan Hilferty; Anna Netrebko

New York CityLes Contes d'Hoffmann (The Tales of Hoffmann)

Offenbach: Les Contes d'Hoffmann
Daniele Rustioni; Bartlett Sher; Metropolitan Opera; Michael Yeargan; Catherine Zuber; Matthew Polenzani; Olga Kulchynska

New York CityRoberto Devereux

Donizetti: Roberto Devereux
Maurizio Benini; Sir David McVicar; Metropolitan Opera; Moritz Junge; Angela Meade; Jamie Barton

New York CityCarmen

Bizet: Carmen
Lorenzo Viotti; Sir Richard Eyre; Metropolitan Opera; Rob Howell; J'Nai Bridges; Ramona Zaharia

New York CityTristan und Isolde

Wagner: Tristan et Isolde
Hartmut Haenchen; Mariusz Treliński; Metropolitan Opera; Boris Kudlička; Marek Adamski; Stuart Skelton; Christine Goerke
Critiques récentesEn voir plus...

François Girard's new Fliegende Holländer disappoints at The Met

Evgeny Nikitin (Holländer) © Ken Howard | Met Opera
François Girard’s production presents the moody, stormy atmosphere of Norwegian seascapes with stunning visuals, but offers few fresh ideas on the doomed love between the Dutchman and Senta.

A musically ideal Così in The Met's revival

Luca Pisaroni (Guglielmo) and Serena Malfi (Dorabella) © Jonathan Tichler | Met Opera
Phelim McDermott’s Coney Island Così fan tutte returns to The Met, in sparkling vocal performances. 

Garanča glows in The Met's Damnation de Faust

Elīna Garanča © Ken Howard | Met Opera
Edward Gardner's conducting brings out the nuances of Berlioz's complex score, but The Met's concert staging lacks theatrical thrust.

Aleksandra Kurzak impresses as the Met’s new Violetta

Aleksandra Kurzak (Violetta) © Marty Sohl | Met Opera
Michael Mayer’s colorful and busy production of La traviata returned to the Met with a triumphant performance of the title role by soprano Aleksandra Kurzak.

Bleak and hopeless: William Kentridge's Wozzeck at the Met

Peter Mattei (Wozzeck) © Ken Howard | Met Opera
Despite theatrical drawbacks, this Wozzeck is heartily recommend due to Yannick Nézet-Séguin's staggering understanding of all facets of Berg's score.