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Less is more in Regents Opera’s thoroughly engaging Rheingold

Excellent vocal acting and total commitment to the text make for a riveting piece of operatic storytelling, driven by James Schouten's powerful Loge.
Deutsche Geschichte für Reingefallene: neue Meistersinger in Leipzig
David Pountneys Meistersinger enttäuschen mit einer an Geschichtsverständnis mangelnden und trägen Inszenierung, die aber immerhin stimmliche Glanzmomente liefert.
Le songe des Maîtres chanteurs à l'Opéra Bastille
Entre l'imaginaire de Pedro Calderon, celui de Lewis Caroll ou encore de Jonathan Swift, cette nouvelle production signée Stefan Herheim invite à la réflexion sur la frontière entre folie et sommeil, illusion et réalité, amour et raison.
Send in the clowns: Stefan Herheim’s Lulu in Copenhagen
Zombie clowns abound in Stefan Herheim's uncomfortably comical and upsetting Copenhagen production of Alban Berg's Lulu.
Tristan und Isolde at Bayreuth
When audiences first heard Wagner’s Tristan and Isolde, they were stunned by the sustained, passionate eroticism of the score, with the musicians amongst them amazed by the variety of novel compositional devices.
Weinberger's Wallenstein in first Viennese performance since 1937
Counting this present concert performance, public outings for Jaromir Weinberger’s 1937 opera Wallenstein may possibly have reached double digits, and such reception details, or indeed any information about the opera beyond a basic synopsis, would have made a welcome addition to the programme.
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ParísMoses and Aron

Schönberg: Moses and Aron
Philippe Jordan; Romeo Castellucci; Opéra national de Paris; Orchestre de l'Opéra national de Paris
