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Lepage’s Bluebeard and Erwartung pairing remains compelling theatre
Some 30 years after its first appearance, Robert Lepage’s double bill of Duke Bluebeards Castle and Erwartung is still strikingly effective and very modern-looking music theatre.
Thomas Adès‘ The Tempest verzaubert an der Wiener Staatsoper
Ewig faszinierender Shakespeare in zeitgenössischer Musik und modernem Gewand, das „hat was“.
Stravinsky's Nightingale takes flight to open the Adelaide Festival
A piecemeal evening of high musical values as the Adelaide Festival opens with short Stravinsky pieces rather than the usual substantial opera.
Garanča glows in The Met's Damnation de Faust
Edward Gardner's conducting brings out the nuances of Berlioz's complex score, but The Met's concert staging lacks theatrical thrust.
La Flûte réenchantée de Robert Lepage au Festival d’opéra de Québec
La très attendue mise en scène de La flûte enchantée de Mozart au Festival d'opéra de Québec a valu un triomphe au metteur en scène Robert Lepage, qui a procédé à un véritable dépoussièrage de l'œuvre.
Saariaho's L'Amour de loin triumphs at the Met
Conductor Susanna Mälkki, in her Met Opera debut, led the Met Opera Orchestra in a limber performance of Ms Saariaho's gorgeous music, the first woman-authored score to be heard at the Met in 113 years.